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Movements, leaders, victories and the continuing fight for equality.
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In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
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Post-romanticism or Postromanticism refers to a range of cultural endeavors and attitudes emerging in the late nineteenth and early twentieth centuries, after the period of Romanticism.
The period of post-romanticism in poetry is defined as the mid-to-late nineteenth century,[1] but includes the much earlier poetry of Letitia Elizabeth Landon[2] and Tennyson.[3]
Post-romanticism in music refers to composers who wrote classical symphonies, operas, and songs in transitional style that constituted a blend of late romantic and early modernist musical languages. Arthur Berger described the mysticism of La Jeune France as post-Romanticism rather than neo-Romanticism.[6]
Post-romantic composers created music that used traditional forms combined with advanced harmony. Kaikhosru Shapurji Sorabji created post-romantic nocturnes that used unconventional harmonic language and Béla Bartók, for example, "in such Strauss-influenced works as Duke Bluebeard's Castle", may be described as having still used "dissonance ['such intervals as fourths and sevenths'] in traditional forms of music for purposes of post-romantic expression, not simply always as an appeal to the primal art of sound".[7]
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Post-romanticism or Postromanticism refers to a range of cultural endeavors and attitudes emerging in the late nineteenth and early twentieth centuries, after the period of Romanticism.
Gustavo Adolfo Claudio Domínguez Bastida (17 February 1836 – 22 December 1870), better known as Gustavo Adolfo Bécquer (Spanish pronunciation: [ɡusˈtaβo aˈðolfo ˈβekeɾ]), was a Spanish Romantic poet and writer (mostly short stories), also a playwright, literary columnist, and talented in drawing. He is one of the most important figures in Spanish literature, with some considering him the most read Spanish writer after Miguel de Cervantes. He adopted the alias of Bécquer as his brother Valeriano Bécquer, a painter, had done earlier. He was associated with the romanticism and post-romanticism movements and wrote while realism enjoyed success in Spain. He was moderately well-known during his life, but it was after his death that most of his works were published. His best-known works are the Rhymes and the Legends, usually published together as Rimas y leyendas. These poems and tales are essential to studying Spanish literature and common reading for high-school students in Spanish-speaking countries. His work approached the traditional poetry and themes in a modern way, and he is considered the founder of modern Spanish lyricism. Bécquer's influence on 20th-century poets of the Spanish language can be felt in the works of Luis Cernuda, Octavio Paz, Giannina Braschi, Antonio Machado, and Juan Ramón Jiménez. Bécquer himself was influenced – both directly and indirectly — by Cervantes, Shakespeare, Goethe, and Heinrich Heine.
20th-century classical music is Western art music that was written between 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started later in the century and can be seen as a change from the modern to postmodern era, although some date postmodernism from as early as about 1930. Aleatory, atonality, serialism, musique concrète, and electronic music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century.
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion and intuition were crucial to understanding the world, and that beauty is more than merely an affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a reverence for nature and the supernatural, an idealization of the past as a nobler era, a fascination with the exotic and the mysterious, and a celebration of the heroic and the sublime. The Romanticist movement had a particular fondness for the Middle Ages, which to them represented an era of chivalry, heroism, and a more organic relationship between humans and their environment. This idealization contrasted sharply with the values of their contemporary industrial society, which they considered alienating for its economic materialism and environmental degradation. The movement's illustration of the Middle Ages was a central theme in debates, with allegations that Romanticist portrayals often overlooked the downsides of medieval life. The consensus is that Romanticism peaked from 1800 until 1850. However, a "Late Romantic" period and "Neoromantic" revivals are also discussed. These extensions of the movement are characterized by a resistance to the increasingly experimental and abstract forms that culminated in modern art, and the deconstruction of traditional tonal harmony in music. They continued the Romantic ideal, stressing depth of emotion in art and music while showcasing technical mastery in a mature Romantic style. By the time of World War I, though, the cultural and artistic climate had changed to such a degree that Romanticism essentially dispersed into subsequent movements. Final Late Romanticist figures to maintain the Romantic ideals (i.e. Rachmaninoff) died in the 1940s. Though they were still widely respected, they were seen as anachronisms at that point. Romanticism was a complex movement with a variety of viewpoints that permeated Western civilization across the globe. The movement and its opposing ideologies mutually shaped each other over time. After its end, Romantic thought and art exerted a sweeping influence on art and music, speculative fiction, philosophy, politics, and environmentalism that has endured to the present day, although the modern notion of "romanticization" and the act of "romanticizing" something often has little to do with the historical movement.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
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