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THE JOURNEY THROUGH TIME

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photographic print of Millie Small, Vincent Chin, and an unidentified woman

Date
1964; printed later
Photograph by
Description
2015.132.4.1-.2: Two identical black-and-white inkjet photographs of Millie Small during a visit with Vincent "Randy" Chin at Randy's Records, in 1964, when her song "My Boy Lollipop" was a hit. The image depicts three individuals: Millie Small, Vincent Chin and an unidentified woman. Small is seated behind the record store counter on the right of the photograph, looking to the left at a copy of a record album, My Boy Lollipop by Millie Small, held by an unidentified woman wearing a white shirt. Vincent Chin stands between the two women with an arm over each of their shoulders. He is looking directly at the camera and is wearing a dark plaid shirt and dark pants. On the wall behind him are two shelves with dividers that hold records. Above the shelves is a black wire rack, a rack of sunglasses, and a box-shaped object that has the text [ROLA / LOUDSPEAKER] printed on the side. There are no inscriptions on the front of the images. On the back are inscriptions written by Bill Adler with the subject, and date.
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National Museum of African American History and Culture Collection
Collection title
Eyejammie Hip-Hop Photography Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.132.4.1-.2
Type
gelatin silver prints
portraits
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (2015.132.4.1 Sheet): 8 × 10 in. (20.3 × 25.4 cm)
H x W (2015.132.4.1 Image): 7 9/16 × 9 9/16 in. (19.2 × 24.3 cm)
H x W (2015.132.4.2 Sheet): 7 15/16 × 9 15/16 in. (20.2 × 25.3 cm)
H x W (2015.132.4.2 Image): 7 9/16 × 9 9/16 in. (19.2 × 24.3 cm)
Title
Object Name • Photographic print of Millie Small, Vincent Chin, and an unidentified woman
Record ID
nmaahc_2015.132.4.1-.2
Museum
NMAAHC
Title Sort
PHOTOGRAPHIC PRINT OF MILLIE SMALL, VINCENT CHIN, AND AN UNIDENTIFIED WOMAN
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Geo Location
City • Kingston • County • Surrey • Country • Jamaica • Subregion • Caribbean • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Letter to Charles Humbert Marie Vincent signed by Toussaint Louverture

Date: Date

Caption

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No preview image
NMAAHC

Photographic print of Vincent and Patricia Chin at Studio 17

Date: Date

Description

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No preview image
NMAAHC

Photograph of Dr. Ubert Vincent and Bobby Rylandat the Cosmopolitan Tenn

Date: Date

Description

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No preview image
NMAAHC

Photographic print of Millie Small, Vincent Chin, and an unidentified woman

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.