Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
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Meet the people whose lives, choices and achievements shaped the journey.
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Moments that changed communities, movements, institutions and the nation.
Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
In economics the production set is a construct representing the possible inputs and outputs to a production process.
A production vector represents a process as a vector containing an entry for every commodity in the economy. Outputs are represented by positive entries giving the quantities produced and inputs by negative entries giving the quantities consumed.
If the commodities in the economy are (labour, corn, flour, bread) and a mill uses one unit of labour to produce 8 units of flour from 10 units of corn, then its production vector is (–1,–10,8,0). If it needs the same amount of labour to run at half capacity then the production vector (–1,–5,4,0) would also be operationally possible. The set of all operationally possible production vectors is the mill's production set.
If y is a production vector and p is the economy's price vector, then p·y is the value of net output. The mill's owner will normally choose y from the production set to maximise this quantity. p·y is defined as the 'profit' of the vector y, and the mill-owner's behaviour is described as 'profit-maximising'.[1]
The following properties may be predicated of production sets.[2]
If a production set is separable and has a single output, then a function F(y) can be constructed whose value is the maximum quantity of output obtainable for given inputs, and whose domain is the set of input subvectors represented in the production set. This is known as the production function.
If a production set is separable then we may define a "production value function" fp(x) in terms of a price vector p. If x is a monetary quantity, then fp(x) is the maximum monetary value of output obtainable in Y from inputs whose cost is x.
Constant returns to scale mean that if y is in the production set, then so too is λy for any positive λ. Returns might be constant over a region; for instance, so long as λ is not too far from 1 for a given y. There is no entirely satisfactory way to define increasing or decreasing returns to scale for general production sets.
If the production set Y can be represented by a production function F whose argument is the input subvector of a production vector, then increasing returns to scale are available if F(λy) > λF(y) for all λ > 1 and F(λy) < λF(y) for all λ<1. A converse condition can be stated for decreasing returns to scale.
If Y is a separable production set with a production value function fp, then (positive) economies of scale are present if fp(λx) > λfp(x) for all λ > 1 and fp(λx) < λfp(x) for all λ < 1. The opposite condition may be referred to as negative economies (or diseconomies) of scale.
If Y has a single output and prices are positive, then positive economies of scale are equivalent to increasing returns to scale.
As with returns to scale, economies of scale may apply over a region. If a mill is operating below capacity then it will offer positive economies of scale, but as it approaches capacity the economies will become negative. Economies of scale for the firm are important in influencing an industry's tendency to concentrate in the direction of monopoly or disaggregate in the direction of perfect competition.
The components of a production vector are conventionally portrayed as flows (see Stock and flow), whereas more general treatments regard production as combining stocks (e.g. land) and flows (e.g. labour) (see Factors of production). Accordingly, the simple definition of 'profit' as the net value of output does not correspond to its meaning elsewhere in economics (see Profit (economics)).
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In economics the production set is a construct representing the possible inputs and outputs to a production process. A production vector represents a process as a vector containing an entry for every commodity in the economy. Outputs are represented by positive entries giving the quantities produced and inputs by negative entries giving the quantities consumed. If the commodities in the economy are (labour, corn, flour, bread) and a mill uses one unit of labour to produce 8 units of flour from 10 units of corn, then its production vector is (–1,–10,8,0). If it needs the same amount of labour to run at half capacity then the production vector (–1,–5,4,0) would also be operationally possible. The set of all operationally possible production vectors is the mill's production set. If y is a production vector and p is the economy's price vector, then p·y is the value of net output. The mill's owner will normally choose y from the production set to maximise this quantity. p·y is defined as the 'profit' of the vector y, and the mill-owner's behaviour is described as 'profit-maximising'.
Genetic Algorithm for Rule Set Production (GARP) is a computer program based on genetic algorithm that creates ecological niche models for species. The generated models describe environmental conditions (precipitation, temperatures, elevation, etc.) under which the species should be able to maintain populations. As input, local observations of species and related environmental parameters are used which describe potential limits of the species' capabilities to survive. Such environmental parameters are commonly stored in geographical information systems. A GARP model is a random set of mathematical rules which can be read as limiting environmental conditions. Each rule is considered as a gene; the set of genes is combined in random ways to further generate many possible models describing the potential of the species to occur. Software: OpenModeller Lifemapper
On-set virtual production (OSVP) is an entertainment technology for television and film production in which LED panels are used as a backdrop for a set, on which video or computer-generated imagery can be displayed in real-time. The use of OSVP became widespread after its use in the first season of The Mandalorian (2019), which used Unreal Engine, developed by Epic Games. The technology replaces green screen compositing by displaying pre-recorded background plates on the LED wall, which allows actors to see the environment and provides interactive lighting.
Dead Set is a British satirical zombie comedy horror television miniseries created and written by Charlie Brooker and directed by Yann Demange. Set on the production compound of a fictional series of Big Brother, the story follows a zombie outbreak that erupts during a live eviction, leaving housemates and production staff trapped inside the Big Brother house as the outside world collapses. The series stars Jaime Winstone as production runner Kelly, alongside Andy Nyman, Riz Ahmed, Warren Brown, Beth Cordingly, Raj Ghatak, Chizzy Akudolu, Kathleen McDermott and Adam Deacon. Big Brother presenter Davina McCall appears as herself, with cameo appearances from several former Big Brother housemates. Produced by Zeppotron (then part of Endemol), Dead Set was filmed primarily during summer 2008 at Longcross Studios and at the real Big Brother house in Elstree. It premiered on E4 from 27 to 31 October 2008 as a five-episode run, and was later repeated on Channel 4 in January 2009. The miniseries received generally positive reviews from critics for its blend of graphic horror and social satire. It was nominated for the Drama Serial award at the British Academy Television Awards in 2009. At the British Academy Television Craft Awards the same year, it won the Interactive Creative Contribution award and received a further nomination for Brooker. The series has been retrospectively cited as having thematic similarities to Brooker's later anthology series Black Mirror. A Brazilian adaptation of Dead Set titled Reality Z premiered on Netflix in 2020.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Mae Jemison, aboard Space Shuttle Endeavour in 1992.