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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Ghetto Krater

Date
2018
Caption
A krater is a ceramic vessel common in ancient Greece whose purpose was to dilute wine. Kraters were often painted Black and orange and featured images from Greek mythology or history. Ghetto Krater is a continuation of this Greek tradition of storytelling. Lugo’s contemporary version of the vessel draws attention to the various manifestations of violence, including police brutality, that disproportionately affects people of color in economically disadvantaged urban communities. His interest in exploring these subjects stems in part from his personal experience growing up in the Philadelphia neighborhood of Kensington. A self-described “ghetto-potter,” Lugo says his decision to become a ceramicist gave him direction and purpose, essentially saving his life.
Description
A black and orange ceramic in the form of a krater from ancient Greece. The ceramic features three bands of imagery. The topmost band consists of silhouette profiles of figures. The body of the ceramic depicts various scenes including figures playing basketball, a set of arms in handcuffs, a figure kneeling while pointing a gun, a figure crouching with hands on their head, a police officer in riot gear raising a baton, a police officer handcuffing another figure, a dollar sign pendant, and a city skyline. The lowest band of imagery includes figures in handcuffs; a figure on their hands and knees surrounded by three police officers, one with a gun and two with batons; a figure beating another; and a police officer in riot gear holding up a shield. Wave, meander, and Greek key motifs appear on the uppermost lip and between the bands of imagery. The interior of the top portion is glazed black and the interior of the lower portion is white.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Decorative Arts, Craft, and Design
Movement
Black Lives Matter
African American - Latinx Solidarity
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture purchased with funds provided by the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Data Source
National Museum of African American History and Culture
Object number
2019.53
Type
ceramics
kraters
Restrictions & Rights
© Roberto Lugo
Permission required for use. Proper usage is the responsibility of the user.
Medium
glaze on terracotta
Dimensions
H x W: 36 5/8 × 17 1/8 in. (93 × 43.5 cm)
Diameter of lip: 12 9/16 in. (31.9 cm)
Circumference: 51 1/2 in. (130.8 cm)
Title
Title • Ghetto Krater
Record ID
nmaahc_2019.53
Museum
NMAAHC
Title Sort
GHETTO KRATER
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s
Geo Location
Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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Pittsburgh Pirates jersey worn by Roberto Clemente

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Conversations: Straight Talk with America's Sister President

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Photographic print of LL Cool J

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Ghetto Krater

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker