Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
Innovation, patents, science, technology and world-changing contributions.
Pioneers, champions, Negro Leagues, records, activism and excellence.
Meet the people whose lives, choices and achievements shaped the journey.
Black towns, communities, institutions and places where history happened.
Moments that changed communities, movements, institutions and the nation.
In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Sônia Braga | |
|---|---|
Braga in 2016 | |
| Born | Sônia Maria Campos Braga 8 June 1950 |
| Citizenship |
|
| Occupation | Actress |
| Years active | 1967–present |
| Spouses | |
| Relatives | Alice Braga (niece) |
Sônia Maria Campos Braga (Brazilian Portuguese: [ˈsonjɐ maˈɾi.ɐ ˈkɐ̃puz ˈbɾaɡɐ]; born 8 June 1950) is a Brazilian actress. She is known in the English-speaking world for her Golden Globe Award–nominated performances in Kiss of the Spider Woman (1985) and Moon over Parador (1988). She also received a BAFTA Award nomination in 1981 for Dona Flor and Her Two Husbands (first released in 1976). For the 1994 television film The Burning Season, she was nominated for an Emmy Award and a third Golden Globe Award. Her other television and film credits include The Cosby Show (1986), The Milagro Beanfield War (1988), The Rookie (1990), Angel Eyes (2001), Sex and the City (2001), American Family (2002), Alias (2005), Aquarius (2016), Bacurau (2019), and Fatima (2020).[1] In 2020, The New York Times ranked her #24 in its list of the 25 Greatest Actors of the 21st Century.[2]
Sônia Braga was born on June 8, 1950,[3] She is daughter of Hélio Fernando Ferraz Braga and Maria Braga Jaci Campos, a costume designer from Maringá.[4] Sônia's siblings are Júlio, Ana, Hélio, and Maria. Sônia is the aunt of Alice Braga, an actress. Her parents and her four siblings moved to Curitiba and then to Campinas, São Paulo. When Braga was 8 years old, her father died, and she attended a convent school in São Paulo.
In her teens, she took a job as a receptionist and typist at Buffet Torres, a wedding reception and event catering company in São Paulo.[5]
Her brother Hélio presented the TV Tupi children's show Jardim Encantado.[6] At age 14, Braga was invited by director Vicente Sesso to play small roles in children's programs and teleteatros on TV Tupi, including Jardim Encantado.[6] Braga then joined a theater group in Santo André, in the ABC region.[7] At 17, she debuted in the play George Dandin in Santo André.
In 1968, she was cast in the first Brazilian production of the musical Hair.[8][4] She was turned down at first by director Ademar Guerra, but at the insistence of producer/actor Altair Lima, she joined Antônio Fagundes, Ney Latorraca, and the rest of the cast. Despite the dictatorship in Brazil having promulgated Institutional Act No. 5, which imposed widespread censorship, the musical ran for three years.[9]
It has become popularized that in 1977, Caetano Veloso wrote the song Tigresa in tribute to her, since the line “She tells me she was an actress and worked on Hair"[9] match with her story, but the songwriter as herself told in many interviews that actually was wrote for another actress, Zezé Motta.[10][11]
In 1968, Braga was in the film O Bandido da Luz Vermelha. In 1969, she was invited to perform in A Menina do Veleiro Azul, a soap opera produced by TV Excelsior, but the network closed before the program aired.
In 1970, Braga was invited to join the cast of Irmãos Coragem, a soap opera written by Janete Clair, which aired on Rede Globo. Also in the early 1970s, she appeared in supporting roles in the films A Moreninha and Cléo e Daniel.[8] Despite the success on stage and acting in soap operas, it was in the children's television series Vila Sésamo, broadcast in 1972,[4] that Braga became a household name.[12]
In 1975, Braga starred in the telenovela Gabriela, an adaptation of Jorge Amado's novel Gabriela, Clove and Cinnamon. Directed by Walter Avancini, the soap opera was a great national and international success, establishing her as a sex symbol. Braga returned to embody another Jorge Amado character, starring in the 1976 film Dona Flor and Her Two Husbands directed by Bruno Barreto, alongside José Wilker and Mauro Mendonça. The romantic comedy was a box office hit in Brazilian cinemas and also received major recognition internationally. In 1983, she starred in the film Gabriela, alongside Marcello Mastroianni.[13]
In 1976, Braga participated in the cast of Saramandaia. The following year she starred in Espelho Mágico as Cynthia Levy. One of the highlights of the soundtrack of the soap opera is the cover version that Gal Costa recorded of Tigresa, song themed of her character and wrongly popularized that was made for her. In the late 1970s, Braga gave life to another renowned character in Brazilian television, Julia Matos in Dancin' Days (1978). In the storyline, Braga played an ex-convict who gets out of prison ready to win back the love of her daughter, played by Gloria Pires. In 1979, Braga performed in children's theater in the play No País dos Prequetés. The following year she returned to television in the telenovela Chega Mais alongside Tony Ramos.
In the early 1980s, Braga, who had already made films like Lady on the Bus (1978), decided to devote herself exclusively to the movies. In 1981, she starred in Eu Te Amo directed by Arnaldo Jabor, and won the best actress award at the Gramado Film Festival. She starred in the movie Kiss of the Spider Woman (1985) alongside William Hurt and Raul Julia.[14] Her role led to a Golden Globe nomination for best supporting actress and its success led to her international work.[15]In 1987, she was the first Brazilian to present a category at the Oscars. She was announced by Goldie Hawn as one of the most glamorous actresses in the world, before appearing with Michael Douglas, who announced the result of the best short film.[16] She received her second Golden Globe nomination for best supporting actress for her performance in the film Moon over Parador (1988) alongside Raul Julia and Richard Dreyfuss.[17] That same year, she appeared in Robert Redford's The Milagro Beanfield War. In 1990, she appeared in Clint Eastwood's action film The Rookie. She also appeared in American television series, such as the strict teacher Mrs. Westlake in two episodes of The Cosby Show and medical researcher Sophie Wagner in an episode of Tales from the Crypt.

Braga decided to leave Brazil for a career in the United States, where she lived for 14 years. In 2003, she obtained American citizenship.[18] Braga competed for many prestigious awards in the United States. For her performance in The Burning Season (1994), she was nominated for the third time for the Golden Globe for best supporting actress. In 1995, she was nominated for an Emmy Award for Best Supporting Actress in a Miniseries or a Movie for The Burning Season, but lost to Shirley Knight.[19] The film details the life of Brazilian activist Chico Mendes.[20] In 1996, she won the Lone Star Film & Television Award for best supporting actress for her work in Streets of Laredo directed by Joseph Sargent. That same year, director Nicolas Roeg offered her the lead role in the film Two Deaths alongside Patrick Malahide. Braga also had the lead in Tieta of Agreste (1996), directed by Carlos Diegues.
In 1999, after nearly 20 years away from Brazilian television, the actress made a cameo in the first 15 chapters of the soap opera Força de um Desejo (1999), by Gilberto Braga and Alcides Nogueira, in the role of Helena Silveira, mother of characters Fábio Assunção and Selton Mello. In 2001, she joined the cast of Memórias Póstumas directed by André Klotzel, based on The Posthumous Memoirs of Bras Cubas by Machado de Assis. For her performance in this film, she won the Kikito award for best supporting actress at the Gramado Film Festival.[21]
In 2001, Braga appeared in Angel Eyes, a romantic drama film directed by Luis Mandoki and starring Jennifer Lopez. That same year, she had a recurring role as Maria Diega Reyes in the television series Sex and the City. In 2002, she appeared in American Family, a PBS series created by Gregory Nava that follows the lives of a Latino family in Los Angeles,[22] and in the crime film Empire.[23] In 2005, she had a recurring role in the series Alias. She also guest-starred in episodes of series including George Lopez, Law & Order, CSI: Miami, Ghost Whisperer, and Brothers and Sisters among others. In 2006, she returned to work in Globo's telenovela Páginas da Vida, playing sculptor Tônia. In 2010, she starred in the episode "A Adultera da Urca" of the miniseries As Cariocas, and in 2011, made a cameo in Tapas & Beijos.[24]
Braga had a recurring role as Lorraine Correia in the sixth season of the series Royal Pains. Braga's scenes were filmed on location in Mexico and her episodes were aired in August 2014.[1] In 2016, she appeared in Netflix's Marvel Netflix series Luke Cage as Rosario Dawson's mother.[25]
Braga received positive reviews for her film Aquarius when it premiered at the 2016 Cannes Film Festival. Braga plays a widow and retired music writer who lives in the titular apartment complex and refuses to leave when developers offer her a buy-out. Though the film did not earn an Oscar nomination for Braga, it did contend for Best Foreign Film at France's Cesar Awards and the Independent Spirit Awards. She ranked in the top five in IndieWire's 2016 critics' poll for Academy Award for Best Actress. She also appeared in the films Wonder (2017), Bacurau (2019), Fatima (2020), and The First Omen (2024). In 2020, The New York Times ranked her #24 in its list of the 25 Greatest Actors of the 21st Century.[26]
Braga is a naturalized American, living since 1990 in New York City,[15][27] while also having two homes in Brazil, an apartment in Rio de Janeiro and a beach house in Niterói.[28]
Braga was married twice: first to fellow actor Arduíno Colassanti from 1970 to 1976,[29] and then to photographer Antônio Guerreiro from 1980 to 1988.[30]
During the 1980s, Braga also had a relationship with actor Robert Redford,[31] She then had a relationship with Pat Metheny,[32] and with singer Caetano Veloso, who wrote "Trem das Cores" based on her.[33]
In August 2016, Braga revealed in an interview with the Brazilian Elle that she never intended to have children due to professional ambitions. She underwent four abortions, the first after her first sexual relationship at the age of 17; which led to a severe hemorrhage followed by a uterine infection that nearly killed her.[34]
| Year | Film | Role | Notes |
|---|---|---|---|
| 1968 | The Red Light Bandit | Victim | |
| 1970 | Cleo e Daniel | Sandra | |
| 1970 | A Moreninha | Carolina | |
| 1971 | O Capitão Bandeira Contra o Dr. Moura Brasil | Boy | |
| 1973 | Mestiça, a Escrava Indomável | Mestiça | |
| 1975 | O Casal | Maria Lúcia | |
| 1976 | Dona Flor and Her Two Husbands | Dona Flor (Florípides) Guimarães | |
| 1978 | Lady on the Bus | Solange | |
| 1981 | I Love You | Maria | |
| 1983 | Gabriela, Cravo e Canela | Gabriela | |
| 1985 | Kiss of the Spider Woman | Leni Lamaison / Marta / Spider Woman | |
| 1988 | The Milagro Beanfield War | Ruby Archuleta | |
| 1988 | Moon over Parador | Madonna Mendez | |
| 1990 | The Rookie | Liesl | |
| 1993 | Roosters | Juana Morales | |
| 1994 | The Burning Season | Regina de Carvalho | |
| 1995 | Two Deaths | Ana Puscasu | |
| 1996 | Tieta do Agreste | Tieta | |
| 1999 | From Dusk Till Dawn 3: The Hangman's Daughter | Quixtla | |
| 2001 | Perfume | Irene Mancini | |
| 2001 | Memórias Póstumas | Marcela | |
| 2001 | Angel Eyes | Josephine Pogue | |
| 2002 | Empire | Iris | |
| 2003 | Testosterone | Mrs. Alesandro | |
| 2004 | Amália Traïda | Amália Rodrigues | Short |
| 2004 | Scene Stealers | Celia Crouch | |
| 2005 | Che Guevara | Celia[35] | |
| 2005 | Marilyn Hotchkiss' Ballroom Dancing and Charm School | Tina | |
| 2006 | Sea of Dreams | Nurka | |
| 2006 | Bordertown | Teresa Casillas | |
| 2006 | The Hottest State | Mrs. Garcia | |
| 2010 | An Invisible Sign | Mom | |
| 2010 | Lope | Paquita | |
| 2012 | The Wine of Summer | Eliza | |
| 2016 | Aquarius | Dona Clara | |
| 2017 | Wonder | Lisa "Grans" Minel | |
| 2019 | Bacurau | Domingas | |
| 2019 | The Jesus Rolls | Mother | |
| 2020 | Fatima | Sister Lúcia | |
| 2022 | Shotgun Wedding | Renata Ortiz | |
| 2024 | The First Omen | Silvia |
| Year | Title | Role | Notes |
|---|---|---|---|
| 1969 | A Menina do Veleiro Azul | Telenovela | |
| 1970 | Irmãos Coragem | Lídia Siqueira | Telenovela |
| 1972 | Vila Sésamo | Ana Maria | Brazilian TV series |
| 1972 | Selva de Pedra | Flávia | Telenovela |
| 1972 | Somos Todos do Jardim de Infância | TV movie | |
| 1974 | Fogo sobre Terra | Brisa | Telenovela |
| 1975 | Gabriela | Gabriela | Telenovela |
| 1976 | Saramandaia | Marcina | Telenovela |
| 1977 | Espelho Mágico | Camila/Cinthia Levy | Telenovela |
| 1978 | Dancin' Days | Júlia de Souza Matos | Telenovela |
| 1980 | Chega Mais | Gelly | Telenovela |
| 1986 | The Cosby Show | Anna Maria Westlake | 2 episodes |
| 1987 | The Man Who Broke 1,000 Chains | Emily Del Pino Pacheco | TV movie |
| 1991 | The Last Prostitute | Loah | TV movie |
| 1992 | Tales from the Crypt | Sophie Wagner | 1 episode: ("This'll Kill Ya") |
| 1994 | The Burning Season | Regina de Carvalho | TV movie |
| 1995 | Streets of Laredo | Maria Garza | Miniseries |
| 1995 | Moses | Sephora | TV movie |
| 1998 | Money Play$ | Irene | TV movie |
| 1998 | Four Corners | Carlota Alvarez | |
| 1998 | A Will of Their Own | Jessie Lopez De La Cruz | Miniseries |
| 1999 | Força de um Desejo | Baroness Helena Menezes de Albuquerque Silveira Sobral | Telenovela |
| 2000 | Family Law | Beatrice Valdez | 1 episode: ("Echoes") |
| 2001 | The Judge | Lily Acosta | TV movie |
| 2001 | Sex and the City | Maria Diega Reyes | 3 episodes |
| 2002 | American Family | Berta Gonzalez | 11 episodes |
| 2002 | George Lopez | Emilina Palmero | 1 episode: ("Meet the Cuban Parents") |
| 2003 | Law & Order | Helen | 1 episode: ("Genius") |
| 2005 | CSI: Miami | Dona Marta Cruz | 1 episode: ("Identity") |
| 2005 | Alias | Elena Derevko / Sophia Vargas | 5 episodes |
| 2005 | Ghost Whisperer | Estella de la Costa | 1 episode: ("Shadow Boxer") |
| 2006 | Páginas da Vida | Tônia (Antônia Werneck) | Telenovela |
| 2007 | Donas de Casa Desesperadas | Alice Monteiro | Brazilian TV series |
| 2010 | As Cariocas | Julia | 1 episode: ("A Adúltera da Urca") |
| 2010 | Brothers and Sisters | Gabriela | 2 episodes |
| 2011 | Tapas & Beijos | Helô Siqueira | Episode: ("A Bolsa do Camelô") |
| 2013 | Meddling Mom | Carmen Vega | TV movie |
| 2014 | Royal Pains | Lorena Correia | Season 6[36] |
| Warehouse 13 | Alicia | Season 5, Episode 4 ("Savage Seduction")[37] | |
| 2016 | Luke Cage | Soledad Temple | Netflix series |
'Sonia was a thin child and had huge eyes', says her brother Hélio Braga...
musical da Broadway 'Hair – The American Tribal Love-Rock Musical Smash', que levava para os palcos questões raciais, a nudez, liberdade sexual e a guerra às drogas. No brasil iniciava um dos mais sombrios e complexos momentos – em 1968 foi decretado o Ato Institucional nº 5, comumente conhecido como AI-5, um marco que inaugurava a transição que instaurou a ditadura no país.
Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Sônia Maria Campos Braga (Brazilian Portuguese: [ˈsonjɐ maˈɾi.ɐ ˈkɐ̃puz ˈbɾaɡɐ]; born 8 June 1950) is a Brazilian actress. She is known in the English-speaking world for her Golden Globe Award–nominated performances in Kiss of the Spider Woman (1985) and Moon over Parador (1988). She also received a BAFTA Award nomination in 1981 for Dona Flor and Her Two Husbands (first released in 1976). For the 1994 television film The Burning Season, she was nominated for an Emmy Award and a third Golden Globe Award. Her other television and film credits include The Cosby Show (1986), The Milagro Beanfield War (1988), The Rookie (1990), Angel Eyes (2001), Sex and the City (2001), American Family (2002), Alias (2005), Aquarius (2016), Bacurau (2019), and Fatima (2020). In 2020, The New York Times ranked her #24 in its list of the 25 Greatest Actors of the 21st Century.
Kiss of the Spider Woman (Portuguese: O Beijo da Mulher-Aranha) is a 1985 dystopian drama film directed by Héctor Babenco from a screenplay by Leonard Schrader, based on the 1976 novel by Argentine author Manuel Puig. It stars William Hurt, Raul Julia, Sônia Braga, José Lewgoy, Milton Gonçalves, and Denise Dumont. Set in a Brazilian prison during the military dictatorship, the film centers on a dialogue between two very different cellmates, a hardened leftist revolutionary (Julia) and an apolitical gay man (Hurt). The story utilizes metafictional and film-within-a-film elements, as the latter regales the former with retellings of an old movie, whose themes mirror those of the characters. Independently produced, principal photography occurred in São Paulo between October 1983 and March 1984. Kiss of the Spider Woman premiered on May 13, 1985, at the 1985 Cannes Film Festival, where Hurt won the Best Actor award and Babenco was nominated for the Palme d'Or. The film was released in the United States on July 26, 1985, and in Brazil on March 13, 1986. It received critical acclaim. Hurt won the Academy Award and BAFTA for Best Actor, and the film was nominated for further three Academy Awards, including the first Best Picture nomination for a Brazilian production, the first Best Director nomination for a Brazilian filmmaker, and Best Adapted Screenplay. It was also nominated for the Golden Globe Award for Best Motion Picture – Drama, in addition to Best Actor in a Motion Picture – Drama (Hurt and Julia) and Best Supporting Actress – Motion Picture (Braga). In 1992, Terrence McNally adapted the novel and film into a stage musical of the same name starring Chita Rivera in the title role. It won the 1993 Tony Award for Best Musical, Best Book of a Musical, and Best Original Score. Further, a musical film adaptation was released in 2025, with Jennifer Lopez, Tonatiuh and Diego Luna in the lead roles.
The Rookie is a 1990 American buddy cop action thriller film directed by Clint Eastwood, written by Boaz Yakin and Scott Spiegel, and produced by Howard G. Kazanjian, Steven Siebert, and David Valdes. It stars Eastwood, Charlie Sheen, Raul Julia, Sônia Braga, Lara Flynn Boyle, and Tom Skerritt. Eastwood plays a veteran police officer teamed with the rookie detective played by Sheen, whose intent is to take down a German crime lord in downtown Los Angeles, following months of investigation into an exotic car theft ring. The Rookie premiered in the United States and Canada on December 7, 1990, grossing $21,633,874 in ticket receipts, just under its budget of $30 million. The film was overshadowed by the continuing success of Home Alone, which opened three weeks earlier and ended up being one of the top 100 highest-grossing films of all time. A financial disappointment, The Rookie was met with generally lackluster reviews. Critics considered it formulaic and shallow, and questioned the casting of the Puerto Rican Julia and the Brazilian Braga as Germans; a scene in which Eastwood was raped by Braga also generated some controversy.
Empire is a 2002 American gangster film written and directed by Franc. Reyes. It stars John Leguizamo, Peter Sarsgaard, Denise Richards, Sônia Braga, Isabella Rossellini, Fat Joe, and Treach. The film premiered at the 2002 Sundance Film Festival and was given a theatrical release on December 6, 2002.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Madam C.J. Walker