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THE JOURNEY THROUGH TIME

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

José Williams Playing the Sax

Date
ca. 1970
Caption
Wadsworth Jarrell was a founding member of AfriCOBRA, an influential collective of Black artists formed in 1968 on the South Side of Chicago. As a painter and photographer, he used vibrant colors to depict political activism and musical life in Chicago in the late 1960s and 70s. This is a double portrait of fellow Chicago artist José J. Williams.
Originally from Birmingham, Alabama, Williams was a painter, printmaker, musician, textile artist, and designer. In addition to teaching art at Northwestern University, he owned the AFAM Gallery and was director of the South Side Community Art Center in Chicago in the early 1970s. A talented jazz saxophonist, he often played events at Jae and Wadsworth Jarrell's WJ Studio and Gallery.
Description
A portrait of artist and jazz musician, José J. Williams, in watercolor on light green wove paper by Wadsworth Jarrell. The colorful double portrait depicts two views of Williams during a live performance, surrounded and overlaid by round bursts of watercolor in black, blue, green, orange, red, pink, and yellow. In the left depiction, Williams’s eyes are closed as he leans back slightly, playing his soprano saxophone. He is painted with curly black hair and wearing a bright green shirt, yellow belt, and red fading to white trousers. In the right depiction, Williams plays in a forward, bending stance, wearing a blue shirt and pink trousers. In the bottom right corner of the painting is the artist’s signature [Wadsworth A. Jarrell] in dark blue watercolor.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Movement
BAM (Black Arts Movement 1965-1976)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2023.46.1
Type
watercolors
Restrictions & Rights
© Wadsworth Aikens Jarrell Sr
Permission required for use. Proper usage is the responsibility of the user.
Medium
watercolor on wove paper
Dimensions
H x W: 47 3/16 × 40 3/8 in. (119.8 × 102.5 cm)
Title
Title • José Williams Playing the Sax
Record ID
nmaahc_2023.46.1
Museum
NMAAHC
Title Sort
JOSÉ WILLIAMS PLAYING THE SAX
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s • 1970s
Geo Location
City • Chicago • County • Cook County • State • Illinois • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

José Williams Playing the Sax

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Caption

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NMAAHC

Revision Path: Episode 233; Hadiya Williams

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Description

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NMAAHC

Academy Award, Best Sound, Glory, presented to Russell Williams, II

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NMAAHC

Academy Award, Best Sound, Dances with Wolves, presented to Russell Williams, II

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.