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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Drinking glass advertising Hazel Scott performances at L'Olympia

Date
1954-1967
Created by
Description
A glass advertising Hazel Scott performances at L'Olympia. The cylindrical highball class is clear. It has a slightly wider rim that tapers inwards towards the base. Painted on one side of the glass is a green rectangular field with a thin, white rectangular frame. Painted inside the green rectangular field are several red and white banners as well as the name of the venue and advertised performers hand painted in white, red, and black text. At the top of the green field is a white framed, red oval bisected by a thin, white, triangular, banner. The name of the venue, [L’Olympia], has been hand painted in white at the top of the oval. Hand painted red text below inside the white banner reads […VOTRE MUSIC-HALL!]. Handwritten in the green areas just below the banner is white text that reads [Du 21 MARS /Au 9 Avril] on the left, and [Bruno[underlined] Coquatrix / PRÉSENTE] on the right. Directly below is a large red banner, with the name of the headliner hand painted in white text that reads [GEORGES / GUETARY] with the names of two acts hand painted in the green field below in white text that reads [ALLAN KEMBLE / and CHRISTINE] on the left and [LATONA GRAHAM / and CHADELL[sic]]. At the center of the glass is a rectangular white banner with large, black hand painted text inside that reads [HAZEL SCOTT]. Painted in the green field below in large white text is the name [NINO RUBIO]. Below is a small white rectangular banner with black hand painted text that reads [Les 4 de Paris] with the name [LES MORWAY] hand painted in white in the green field below. Near the bottom is another rectangular white banner with large, red, hand painted text inside that reads [ODETTE LAURE]. At the bottom of the green field is a small red banner with small hand painted white text that reads [Carmiliti MELLER] on the left. To the right of the small red banner in the green field is additional white text that reads [Simone MORIN]. The rest of the glass is plain clear glass.
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National Museum of African American History and Culture Collection
Classification
Tools and Equipment
Memorabilia and Ephemera - Advertisements
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Adam Clayton Powell III
Data Source
National Museum of African American History and Culture
Object number
2023.101.5.1
Type
tumblers (drinking glasses)
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
paint on glass
Dimensions
H x W x D: 5 1/4 × 2 7/8 × 2 7/8 in. (13.3 × 7.3 × 7.3 cm)
Title
Object Name • Drinking glass advertising Hazel Scott performances at L'Olympia
Record ID
nmaahc_2023.101.5.1
Museum
NMAAHC
Title Sort
DRINKING GLASS ADVERTISING HAZEL SCOTT PERFORMANCES AT L'OLYMPIA
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s • 1950s
Place
Geo Location
City • Paris • Country • France • Continent • Europe
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Playbill for Scott Joplin's Treemonisha

Date: Date

Description

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NMAAHC

Photograph of Nina Simone, Michael Pollard, and Janis Joplin

Date: Date

Description

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NMAAHC

Photograph of Hazel Scott performing with Teddy Wilson and His Orchestra

Date: Date

Description

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NMAAHC

Drinking glass advertising Hazel Scott performances at L'Olympia

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.