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THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph portraits of Josephine Sampson

Date
1910s
Description
A strip of five black-and-white photographs of Josephine Sampson in a cardboard frame. The strip depicts five bust pose shots of Sampson in various poses and with assorted props. She is wearing the same outfit in all five images: a fitted white blouse with a high, round collar, a small brooch at the center of her collar, and a collar length necklace with small metal disks dangling from the chain. Sampson’s hair is pulled back and secured with a silk bow at the nape, leaving loose curls at the top. In the image on the far left, the woman is facing the viewer, with a serious expression on her face, and wearing a mortarboard cap. She is looking into the distance to upwards and slightly to the right. In the photograph second from the left, the woman is facing the viewer, smiling broadly, and tilting her head slightly towards her proper right shoulder. She is holding a fan in front of her chin and she is wearing a frilly cartwheel hat on her head. The center photograph depicts the women are looking at the viewer, with her head and shoulders slightly tilted towards her proper right side, and with a half-smile on her face. She is wearing a small black fascinator with white feathers on her crown, and she is standing in front of an American flag. In the photograph second from the right, the woman is depicted in a relaxed pose, with her head tilted slightly towards her proper right shoulder and her hands laced behind her head. She has a playful expression with a half-smile on her face. She is wearing a black fascinator with white feathers on her crown and black kid gloves with white trim. In the photograph on the far right, the woman is depicted with her head slightly tilted towards her proper left shoulder and wearing a soft but serious expression on her face. The strip is mounted inside a black cardboard frame with a series of five tablet shaped photo windows that divide the photos on the strips into individual photos. There is a rectangular, floral, embossed band around the images and the rest of the frame has thin, embossed vertical stripes. An embossed photographer’s stamp in the bottom right corner reads [C.E. Kerfoot / 805 PENN AVE. N.W. / WASHINGTON, D.C.]. There is a large loss at the bottom left corner of the frame and a small surface loss at the top left corner. The back of the frame is gray, and a piece of cream colored paper covers the back of the photos. Handwritten in pencil on the paper is the text [[J?]essie Jessie and Katherine from your / sister Josephine [---?] Sampson]. The backing has slightly torn, and the back of the photograph strip is partially visible. Over the bottom of the paper backing is a line of brown adhesive.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of James M. Baxter
Data Source
National Museum of African American History and Culture
Object number
2021.13.12
Type
frames (furnishings)
gelatin silver prints
portraits
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper on cardboard
Dimensions
H x W (Mounted): 5 × 9 1/16 in. (12.7 × 23 cm)
H x W (Image): 1 3/16 × 5 1/4 in. (3 × 13.3 cm)
Title
Object Name • Photograph portraits of Josephine Sampson
Record ID
nmaahc_2021.13.12
Museum
NMAAHC
Title Sort
PHOTOGRAPH PORTRAITS OF JOSEPHINE SAMPSON
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1910s
Geo Location
City • Washington • State • District of Columbia • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Flier for "The Funky Four Plus One More" designed by Eddie Ed

Date: Date

Description

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NMAAHC

Photograph portraits of Josephine Sampson

Date: Date

Description

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NMAAHC

Teapot made by Peter Bentzon

Date: Date

Description

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NMAAHC

Photographic postcard of William Naylor Buckner Jr.

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker