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Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
A sign is an object, quality, event, or entity whose presence or occurrence indicates the probable presence or occurrence of something else.[1] A natural sign bears a causal relation to its object—for instance, thunder is a sign of storm, or medical symptoms a sign of disease. A conventional sign signifies by agreement, as a full stop signifies the end of a sentence; similarly the words and expressions of a language, which can be interpreted as bodily gestures, can be regarded as signs, expressing particular meanings. The physical objects most commonly referred to as signs (notices, road signs, etc., collectively known as signage) generally inform or instruct using written text, symbols, pictures or a combination of these.
The philosophical study of signs and symbols is called semiotics; this includes the study of semiosis, which is the way in which signs (in the semiotic sense) operate.
Semiotics, epistemology, logic, and philosophy of language are concerned about the nature of signs, what they are and how they signify.[2] The nature of signs and symbols and significations, their definition, elements, and types, is mainly established by Aristotle, Augustine, and Aquinas. According to these classic sources, significance is a relationship between two sorts of things: signs and the kinds of things they signify (intend, express or mean), where one term necessarily causes something else to come to the mind. Distinguishing natural signs and conventional signs, the traditional theory of signs (Augustine) sets the following threefold partition of things: all sorts of indications, evidences, symptoms, and physical signals, there are signs which are always signs (the entities of the mind as ideas and images, thoughts and feelings, constructs and intentions); and there are signs that have to get their signification (as linguistic entities and cultural symbols). So, while natural signs serve as the source of signification, the human mind is the agency through which signs signify naturally occurring things, such as objects, states, qualities, quantities, events, processes, or relationships. Human language and discourse, communication, philosophy, science, logic, mathematics, poetry, theology, and religion are only some of fields of human study and activity where grasping the nature of signs and symbols and patterns of signification may have a decisive value. Communication takes place without words but via the mind as a result of signs and symbols; They communicate/pass across/ messages to the human mind through their pictorial representation.
The word sign has a variety of meanings in English, including:
St. Augustine was the first man who synthesized the classical and Hellenistic theories of signs. For him a sign is a thing which is used to signify other things and to make them come to mind (De Doctrina Christiana (hereafter DDC) 1.2.2; 2.1.1). The most common signs are spoken and written words (DDC 1.2.2; 2.3.4-2.4.5). Although God cannot be fully expressible, Augustine gave emphasis to the possibility of God's communication with humans by signs in Scripture (DDC 1.6.6). Augustine endorsed and developed the classical and Hellenistic theories of signs. Among the mainstream in the theories of signs, i.e., that of Aristotle and that of Stoics, the former theory filtered into the works of Cicero (106-43 BC, De inventione rhetorica 1.30.47-48) and Quintilian (circa 35–100, Institutio Oratoria 5.9.9-10), which regarded the sign as an instrument of inference. In his commentary on Aristotle's De Interpretatione, Ammonius said, "according to the division of the philosopher Theophrastus, the relation of speech is twofold, first in regard to the audience, to which speech signifies something, and secondly in regard to the things about which the speaker intends to persuade the audience." If we match DDC with this division, the first part belongs to DDC Book IV and the second part to DDC Books I-III. Augustine, although influenced by these theories, advanced his own theological theory of signs, with whose help one can infer the mind of God from the events and words of Scripture.
Books II and III of DDC enumerate all kinds of signs and explain how to interpret them. Signs are divided into natural (naturalia) and conventional (data); the latter is divided into animal (bestiae) and human (homines); the latter is divided into non-words (cetera) and words (verba); the latter is divided into spoken words (voces) and written words (litterae); the latter is divided into unknown signs (signa ignota) and ambiguous signs (signa ambigua); both the former and the latter are divided respectively into particular signs (signa propria) and figurative signs (signa translata), among which the unknown figurative signs belong to the pagans. In addition to exegetical knowledge (Quintilian, Institutio Oratoria 1.4.1-3 and 1.8.1-21) which follows the order of reading (lectio), textual criticism (emendatio), explanation (enarratio), and judgment (iudicium), one needs to know the original language (Hebrew and Greek) and broad background information on Scripture (DDC 2.9.14-2.40.60).
Augustine's understanding of signs includes several hermeneutical presuppositions as important factors. First, the interpreter should proceed with humility, because only a humble person can grasp the truth of Scripture (DDC 2.41.62). Second, the interpreter must have a spirit of active inquiry and should not hesitate to learn and use pagan education for the purpose of leading to Christian learning, because all truth is God's truth (DDC 2.40.60-2.42.63). Third, the heart of interpreter should be founded, rooted, and built up in love which is the final goal of the entire Scriptures (DDC 2.42.63).
The sign does not function as its own goal, but its purpose lies in its role as a signification (res significans, DDC 3.9.13). God gave signs as a means to reveal himself; Christians need to exercise hermeneutical principles in order to understand that divine revelation. Even if the Scriptural text is obscure, it has meaningful benefits. For the obscure text prevents us from falling into pride, triggers our intelligence (DDC 2.6.7), tempers our faith in the history of revelation (DDC 3.8.12), and refines our mind to be suitable to the holy mysteries (DDC 4.8.22). When interpreting signs, the literal meaning should first be sought, and then the figurative meaning (DDC 3.10.14-3.23.33). Augustine suggests the hermeneutical principle that the obscure Scriptural verse is interpreted with the help of plain and simple verses, which formed the doctrine of "scriptura scripturae interpres" (Scripture is the Interpreter of Scripture) in the Reformation Era. Moreover, he introduces the seven rules of Tyconius the Donatist to interpret the obscure meaning of the Bible, which demonstrates his understanding that all truth belongs to God (DDC 3.3.42-3.37.56). In order to apply Augustine's hermeneutics of the sign appropriately in modern times, every division of theology must be involved and interdisciplinary approaches must be taken.[3]
The dictionary definition of sign at Wiktionary| International | |
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
A sign is an object, quality, event, or entity whose presence or occurrence indicates the probable presence or occurrence of something else. A natural sign bears a causal relation to its object—for instance, thunder is a sign of storm, or medical symptoms a sign of disease. A conventional sign signifies by agreement, as a full stop signifies the end of a sentence; similarly the words and expressions of a language, which can be interpreted as bodily gestures, can be regarded as signs, expressing particular meanings. The physical objects most commonly referred to as signs (notices, road signs, etc., collectively known as signage) generally inform or instruct using written text, symbols, pictures or a combination of these. The philosophical study of signs and symbols is called semiotics; this includes the study of semiosis, which is the way in which signs (in the semiotic sense) operate.
In Western astrology, astrological signs are the zodiac, twelve 30-degree sectors that are crossed by the Sun's 360-degree orbital path as viewed from Earth in its sky. The signs enumerate from the first day of spring, known as the First Point of Aries, which is the vernal equinox. The astrological signs are Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius, and Pisces. The Western zodiac originated in Babylonian astrology, and was later influenced by the Hellenistic culture. Each sign was named after a constellation the sun annually moved through while crossing the sky. This observation is emphasized in the simplified and popular sun sign astrology. Over the centuries, Western astrology's zodiacal divisions have shifted out of alignment with the constellations they were named after by axial precession of the Earth while Hindu astrology measurements correct for this shifting. Astrology (i.e. a system of omina based on celestial appearances) was developed in Chinese and Tibetan cultures as well but these astrologies are not based upon the zodiac but deal with the whole sky. Astrology is a pseudoscience. Scientific investigations of the theoretical basis and experimental verification of claims have shown it to have no scientific validity or explanatory power. More plausible explanations for the apparent correlation between personality traits and birth months exist, such as the influence of seasonal birth in humans. According to astrology, celestial phenomena relate to human activity on the principle of "as above, so below", so that the signs are held to represent characteristic modes of expression. Scientific astronomy used the same sectors of the ecliptic as Western astrology until the 19th century. Various approaches to measuring and dividing the sky are currently used by differing systems of astrology, although the tradition of the Zodiac's names and symbols remain mostly consistent. Western astrology measures from Equinox and Solstice points (points relating to equal, longest, and shortest days of the tropical year), while Hindu astrology measures along the equatorial plane (sidereal year).
The Hollywood Sign is an American landmark and cultural icon overlooking Hollywood, Los Angeles. Originally the Hollywoodland Sign, it is on Mount Lee, above Beachwood Canyon in the Santa Monica Mountains. It was originally erected in 1923 as a temporary advertisement for a local real estate development, and spelled out "HOLLYWOODLAND" in 50-foot-tall (15.2 m) white uppercase letters in a word 450 feet (137.2 m) long. Due to increasing recognition, the sign was left up; the last four letters "LAND" were removed in 1949. The sign was entirely replaced in 1978, using 45-foot-tall (13.7 m) letters in a more durable all-steel structure with concrete footings. Among the best-known landmarks in California (and in the United States as a whole), the sign makes frequent appearances in popular culture, particularly in establishing shots for films and television programs set in Los Angeles. Signs of similar style, but spelling different words, are frequently seen as parodies. The Hollywood Chamber of Commerce holds federally registered trademark rights for a stylized "HOLLYWOOD" wordmark used on specific classes of merchandise (e.g., apparel, souvenirs). These registrations do not confer rights over the physical landmark itself, which is owned by the City of Los Angeles. A point of legal and public confusion arises because the trademark spells the same word as the landmark, the trademark's lettering style resembles the landmark's, yet the landmark and the trademark are under separate ownership. The Hollywood Sign is promoted, protected and preserved by the Hollywood Sign Trust, a 501(c)(3) nonprofit that was originally formed by the Hollywood Chamber of Commerce in 1978; the trust was modified in 1992 to add two members appointed by the city of Los Angeles. The Hollywood Sign Trust operates closely with the Hollywood Chamber of Commerce, as they have similar missions to promote and protect historic Hollywood. The trust is made up of nine volunteers, appointed by three organizations: the Hollywood Chamber of Commerce, the office of Los Angeles's 4th City Council district, and the City of Los Angeles. The trust has been responsible for installing a surveillance system on the sign, painting and maintaining it, and celebrating its landmark anniversaries.
The dollar sign ($; also known as the peso sign) is a currency symbol consisting of a capital ⟨S⟩ crossed with one or two vertical strokes ($ or depending on typeface), used to represent the base unit of account of various currencies around the world, including most currencies denominated "dollar" or "peso". The explicitly double-barred sign is called cifrão in the Portuguese language. The sign is also used in several compound currency symbols, such as the Brazilian real (R$) and the United States dollar (US$): in local use, the nationality prefix is usually omitted. In countries that have other currency symbols, the US dollar is often assumed and the "US" prefix omitted. The one- and two-stroke versions are often considered mere stylistic (typeface) variants, although in some places and epochs one of them may have been specifically assigned, by law or custom, to a specific currency. The Unicode computer encoding standard defines a single code for both. In most English-speaking countries that use that symbol, it is placed to the left of the amount specified, e.g. "$1", read as "one dollar".
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →The Greenwood District.
