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THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

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Civil Rights

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Calvin

Date
1999
Caption
Rashid Johnson created the portrait Calvin as part of his first photo series, Seeing in the Dark. He wanted the series to document a group of men from Chicago whom Johnson prefers to speak of as "in transition," instead of by the dehumanizing label "homeless." These intimate portraits challenge the viewer to see the men as individuals, with distinct personalities and lives. The effect is to lift the veil of invisibility that allows our society to marginalize and dismiss these people as the "undeserving poor." The portrait of Calvin reveals a man whose dignity has not been tarnished by the circumstance of his life. His religion is presented as a central component of his identity, as demonstrated by the prominent display of his cross.
Description
A brown-and-white photograph portrait of a man using the Vandyke brown printing process. The man looks into the camera, holding his right hand at his neck, while a crucifix worn on a necklace rests on his hand. Outside the upper and lower borders of the printed image are brush strokes of the paper coating solution, from priming the paper prior to initiating the printing process. The work is signed [AP] at the recto lower left corner. Recto at bottom right in pencil is [Rashid Johnson]. The photograph is matted and framed.
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National Museum of African American History and Culture Collection
Portfolio/Series
The "Seeing in the Dark" series
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Jumaane Ekundayo N'Namdi, N'Namdi Contemporary
Data Source
National Museum of African American History and Culture
Object number
2015.184
Type
photographic prints
portraits
Restrictions & Rights
© Rashid Johnson, Courtesy of the artist, Hauser & Wirth, and David Kordansky Gallery
Permission required for use. Proper usage is the responsibility of the user.
Medium
Van Dyke print (silver image on paper)
Dimensions
H x W x D (frame): 40 3/4 × 33 × 7/8 in. (103.5 × 83.8 × 2.2 cm)
H x W x D (sheet): 30 1/2 × 22 7/8 in. (77.5 × 58.1 cm)
Title
Title • Calvin
Record ID
nmaahc_2015.184
Museum
NMAAHC
Title Sort
CALVIN
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Geo Location
City • Chicago • County • Cook County • State • Illinois • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

An exuberant bride, Tiffany Ellis, is united in matrimony to Calvin O Butts IV, in the historic Abyssinian Baptist Church , officiated by its pastor (Calvin’s father), the Rev. Dr. Calvin O Butts III, Harlem, New York, 2004

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NMAAHC

An exuberant bride, Tiffany Ellis, is united in matrimony to Calvin O Butts IV, in the historic Abyssinian Baptist Church , officiated by its pastor (Calvin’s father), the Rev. Dr. Calvin O Butts III, Harlem, New York, 2004

Date: Date

Description

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NMAAHC

Calvin Wilson

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Description

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NMAAHC

Calvin

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Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.