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Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Siren is a family of patented, transform-based, wideband audio coding formats and their audio codec implementations developed and licensed by PictureTel Corporation (acquired by Polycom, Inc. in 2001).[1] There are three Siren codecs: Siren 7, Siren 14 and Siren 22.
Siren 7 (or Siren7 or simply Siren) provides 7 kHz audio, bit rates 16, 24, 32 kbit/s and sampling frequency 16 kHz. Siren is derived from PictureTel's PT716plus algorithm.[2] In 1999, ITU-T approved G.722.1 recommendation, which is based on Siren 7 algorithm. It was approved after a four-year selection process involving extensive testing.[2] G.722.1 provides only bit rates 24 and 32 kbit/s and does not support Siren 7's bit rate 16 kbit/s.[3][4] The algorithm of Siren 7 is identical to its successor, G.722.1, although the data formats are slightly different.
Siren 14 (or Siren14) provides 14 kHz audio, bit rates 24, 32, 48 kbit/s for mono, 48, 64, 96 kbit/s for stereo and sampling frequency 32 kHz. Siren 14 supports stereo and mono audio. It offers 40 millisecond algorithmic delay, using 20 millisecond frame lengths. The mono version of Siren 14 became ITU-T G.722.1C (14 kHz, 24/32/48 kbit/s) in April 2005.[5][6][7] The algorithm is based on transform coding technology, using a modulated lapped transform (MLT),[8] a type of discrete cosine transform (DCT)[9] or modified discrete cosine transform (MDCT).[10]
Siren 22 (or Siren22) provides 22 kHz audio, sampling frequency 48 kHz, bit rates 64, 96, 128 kbit/s stereo and 32, 48, 64 kbit/s mono. Siren 22 offers 40 millisecond algorithmic delay using 20 millisecond frame lengths. In May 2008, ITU-T approved the new G.719 full-band codec which is based on Polycom Siren 22 audio technology and Ericsson's advanced audio techniques.[11][12]
Siren 7 is commonly used in videoconferencing systems and is also part of Microsoft Office Communicator when using A/V conferencing. Microsoft Office Communications Server uses Siren 7 during audio conferencing. With the default Office Communicator client, point to point audio is by default performed using Microsoft's proprietary codec RTAudio. When a call is promoted into an audio conference (any time 3 or more participants have joined), the codec is switched on the fly to Siren. This is done for performance reasons. Note that even if the conference is reduced to below 3 participants, OCS does not demote the conference to be point-to-point; it remains an A/V conference until the conference is terminated.
In Windows XP and later versions of Windows, the Siren 7 codec is implemented in %systemroot%\system32\SIRENACM.DLL. It is used by MSN Messenger and Live Messenger for sending and receiving voice clips and also as one of the available codecs for the 'Computer Call' feature.[13][14][15]
FreeSWITCH communication open source software can do transcoding, conferencing and bridging of Siren 7/G.722.1 and Siren 14/G.722.1C audio formats.[16][17][18]
aMSN, an open source Windows Live Messenger clone uses for Siren audio compression and decompression the "libsiren" library, an open source implementation of the codec, written by aMSN developer Youness Alaoui (KaKaRoTo) .[19] The libsiren library has also been copied into libmsn and into the msn-pecan project, which provides plug-in for Pidgin and Adium instant messaging clients.[19][20][21][22][23]
Usage of Siren 7 and Siren 14 audio coding formats require the licensing of patents from Polycom, in most countries. A royalty free licence for Siren 7 and Siren 14 is available from Polycom if certain fairly basic conditions are met.[4][17][24][25][26][27][28]
Usage of Siren 22 also requires the licensing of patents from Polycom.[26]
Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Siren is a family of patented, transform-based, wideband audio coding formats and their audio codec implementations developed and licensed by PictureTel Corporation (acquired by Polycom, Inc. in 2001). There are three Siren codecs: Siren 7, Siren 14 and Siren 22.
G.722 is an ITU-T standard 7 kHz wideband audio codec operating at 48, 56 and 64 kbit/s. It was approved by ITU-T in November 1988. Technology of the codec is based on sub-band ADPCM (SB-ADPCM). The corresponding narrow-band codec based on the same technology is G.726. G.722 provides improved speech quality due to a wider speech bandwidth of 50–7000 Hz compared to narrowband speech coders like G.711 which in general are optimized for POTS wireline quality of 300–3400 Hz. G.722 sample audio data at a rate of 16 kHz (using 14 bits), double that of traditional telephony interfaces, which results in superior audio quality and clarity. Other ITU-T 7 kHz wideband codecs include G.722.1 and G.722.2. These codecs are not variants of G.722 and they use different patented compression technologies. G.722.1 is based on Siren codecs and offers lower bit-rate compressions (24 kbit/s or 32 kbit/s). It uses a modified discrete cosine transform (MDCT) audio coding data compression algorithm. A more recent G.722.2, also known as AMR-WB ("Adaptive Multirate Wideband") is based on ACELP and offers even lower bit-rate compressions (6.6 kbit/s to 23.85 kbit/s), as well as the ability to quickly adapt to varying compressions as the network topography mutates. In the latter case, bandwidth is automatically conserved when network congestion is high. When congestion returns to a normal level, a lower-compression, higher-quality bitrate is restored.
G.722.1 is a licensed royalty-free ITU-T standard audio codec providing high quality, moderate bit rate (24 and 32 kbit/s) wideband (50 Hz – 7 kHz audio bandwidth, 16 ksps (kilo-samples per second) audio coding. It is a partial implementation of Siren 7 audio coding format (which offers bit rates 16, 24, 32 kbit/s) developed by PictureTel Corp. (now Polycom, Inc.). Its official name is Low-complexity coding at 24 and 32 kbit/s for hands-free operation in systems with low frame loss. It uses a modified discrete cosine transform (MDCT) audio data compression algorithm. G.722.1 Annex C (or G.722.1C) is a low-complexity extension mode to G.722.1, which doubles the algorithm to permit 14 kHz audio bandwidth using a 32 kHz audio sample rate, at 24, 32, and 48 kbit/s. It is included in the official ITU-T Recommendation G.722.1. The name of this annex is Annex C – 14 kHz mode at 24, 32, and 48 kbit/s. It is an implementation of the mono version of Polycom's Siren 14 audio coding format. G.722.1 is the successor to PT716plus developed by PictureTel Corp. (now Polycom, Inc.), which has been used in videoconferencing systems for many years. As ITU-T Recommendation G.722.1, it was approved on September 30, 1999 after a four-year selection process involving extensive testing. G.722.1/Annex C was approved by ITU-T on May 14, 2005. G.722.1 is a transform-based compressor that is optimized for both speech and music. The G.722.1 algorithm is based on lapped transform technology, using a Modulated Lapped Transform (MLT), a type of MDCT. The computational complexity is quite low (5.5 floating-point MIPS) for an efficient high-quality compressor, and the algorithmic delay end-to-end is 40 ms. The numbering of the wideband ITU audio codecs is sometimes confusing. There are three principal codecs, which are unrelated, but all carrying the G.722 label. G.722 is the original 7 kHz codec, using ADPCM and operating at 48–64 kbit/s. G.722.1, another 7 kHz codec, operates at half the data rate while delivering comparable or better quality than G.722, but is a transform-based codec. G.722.1 Annex C is very similar to G.722.1, but provides twice the audio bandwidth, 14 kHz. And G.722.2, which operates on wideband speech and delivers very low bitrates, is an ACELP-based algorithm.
Siren or sirens may refer to:
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →The Greenwood District.