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GREENWOOD / BLACK WALL STREET WILMINGTON 1898 LITTLE ROCK NINE TUSKEGEE STUDY ROSEWOOD 1923 THE TUSKEGEE AIRMEN SENECA VILLAGE BLACK TOWNS GREENWOOD / BLACK WALL STREET WILMINGTON 1898 LITTLE ROCK NINE TUSKEGEE STUDY ROSEWOOD 1923 THE TUSKEGEE AIRMEN SENECA VILLAGE BLACK TOWNS
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THE JOURNEY THROUGH TIME
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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Carte-de-visite portrait of Abby D. Munro

Date
1876
Photograph by
George N. Barnard, American, 1819 - 1902
Subject of
Abby Davis Munro, American, 1837 - 1913
Owned by
Emily Howland, American, 1827 - 1929
Description
Carte-de-visite of Abby D. Munro shown in half portrait profile. She is sitting with her back facing foremost but her head turned in profile and her left side facing the camera. Her hair is parted at the center and then braided and wrapped into a bun at the back of her head. She wears a dark bodice with a high neck and a white ruffled lace collar. The print is cut into an oval shape and mounted on the card mount.
Handwritten in graphite on the photograph below the image is the text "A. D. Manro Charleston" and "Miss Abby D. Manro 1876" is handwritten in ink on the mount below the print. There is a mark on the back of the photograph for Barnard's studio.
The photograph is housed in the album 2017.30. The album page has a triple-lined, gold border framing the print. Handwritten in graphite in the lower left corner of the album page is the text "BARNARD 1876 / 263 King St. Charleston".
Place made
Charleston, South Carolina, United States, North and Central America
Topic
African American
Antislavery
Communities
Education
Photography
Reconstruction, U.S. History, 1865-1877
U.S. History, Civil War, 1861-1865
Women
See more items in
National Museum of African American History and Culture Collection
Collection title
Emily Howland Photograph Album
Classification
Slavery and Freedom Objects
Photographs and Still Images
Credit Line
Collection of the National Museum of African American History and Culture shared with the Library of Congress
Data Source
National Museum of African American History and Culture
Object number
2017.30.16
Type
cartes-de-visite
albumen prints
portraits
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
albumen and silver on photographic paper on card mount
Dimensions
H x W (Image): 3 11/16 × 2 1/4 in. (9.4 × 5.7 cm)
H x W (Image and Mount): 4 3/16 × 2 1/2 in. (10.6 × 6.4 cm)
Title
Object Name • Carte-de-visite portrait of Abby D. Munro
Record ID
nmaahc_2017.30.16
Museum
NMAAHC
Title Sort
CARTE-DE-VISITE PORTRAIT OF ABBY D. MUNRO
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1870s
Name
Munro, Abby Davis • Howland, Emily • Barnard, George N.
Place
Charleston • United States • North and Central America • South Carolina
Topic
Photography • Women • Communities • Education • U.S. History, Civil War, 1861-1865 • Reconstruction, U.S. History, 1865-1877 • Antislavery
Culture
African Americans
Geo Location
City • Charleston • State • South Carolina • Country • United States • Continent • North and Central America
Type
Portraits • Photographs • Visiting cards
Online Media Type
Electronic resource • Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Carte-de-visite portrait of Abby and Julia Smith

Date: Date

Description

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NMAAHC

Carte-de-visite portrait of Abby D. Munro

Date: Date

Description

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No preview image
NMAAHC

Marriage license issued to Jerry Jackson and Abby Robinson

Date: Date

Description

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NMAAHC

Outdoor Smith Johnson family portrait

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.