Civil Rights
Movements, leaders, victories and the continuing fight for equality.
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Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
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Meet the people whose lives, choices and achievements shaped the journey.
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Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Repression may refer to:
Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Repression may refer to: Memory inhibition, the ability to filter irrelevant memories from attempts to recall Political repression, the oppression or persecution of an individual or group for political reasons Psychological repression, the psychological act of excluding desires and impulses from one's consciousness Social repression, the socially supported mistreatment and exploitation of a group of individuals Transnational repression, the political repression conducted by a state outside its borders Genetic repression, the down-regulation of gene transcription by the action of repressor proteins binding to a promoter "Repression" (Star Trek: Voyager), an episode of the science fiction television series Star Trek: Voyager, the fourth episode of the seventh (and final) season of the series
Todd Haynes (; born January 2, 1961) is an American film director, screenwriter, and producer whose work is known for its engagement with melodrama, historical pastiche, and queer cinema. Across four decades, his films frequently explore the emotional and psychological consequences of social repression, particularly as they relate to sexuality, identity, illness, and conformity. Haynes is often associated with the New Queer Cinema movement of the early 1990s and is noted for reworking classical Hollywood forms — such as the woman’s picture and the biopic — to examine marginalized experiences and unspoken desire. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's life and death using Barbie dolls as actors. Superstar became a cult classic. His feature directorial debut, Poison (1991), a provocative exploration of AIDS-era perceptions and subversions, established him as a figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize. Haynes received further acclaim for his second feature film, Safe (1995), a symbolic portrait of a housewife who develops multiple chemical sensitivity. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. His next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival. Haynes gained acclaim and a measure of mainstream success with Far from Heaven (2002), receiving his first Academy Award nomination for Best Original Screenplay. He continued to direct critically lauded films such as I'm Not There (2007), Carol (2015), Wonderstruck (2017), Dark Waters (2019), and May December (2023), as well as the documentary film The Velvet Underground (2021). Haynes also directed and co-wrote the HBO mini-series Mildred Pierce (2011), for which he received three Primetime Emmy Award nominations.
One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society is a 1964 book by the German–American philosopher and critical theorist Herbert Marcuse, in which the author offers a wide-ranging critique of both the contemporary capitalist society of the Western Bloc and the communist society of the Soviet Union, documenting the parallel rise of new forms of social repression in both of these societies, and the decline of revolutionary potential in the West. He argues that the "advanced industrial society" created false needs, which integrate individuals into the existing system of production and consumption via mass media, advertising, industrial management, and contemporary modes of thought. This results in a "one-dimensional" universe of thought and behavior, in which aptitude and ability for critical thought and oppositional behavior wither away. Against this prevailing climate, Marcuse promotes the "great refusal" (described at length in the book) as the only adequate opposition to all-encompassing methods of control. Much of the book is a defense of "negative thinking" as a disrupting force against the prevailing positivism. Marcuse also analyzes the integration of the industrial working class into capitalist society and new forms of capitalist stabilization, thus questioning the Marxian postulates of the revolutionary proletariat and the inevitability of capitalist crisis. In contrast to orthodox Marxism, Marcuse champions non-integrated forces of minorities, outsiders, and radical intelligentsia, attempting to nourish oppositional thought and behavior through promoting radical thinking and opposition. He considers the trends towards bureaucracy in supposedly Marxist countries to be as oppositional to freedom as those in the capitalist West. One-Dimensional Man bolstered Marcuse's fame as a contemporary Western philosopher.
The literature of New England has had an enduring influence on American literature in general, with themes such as religion, race, the individual versus society, social repression, and nature, emblematic of the larger concerns of American letters.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →The Greenwood District.
