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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Banjo case for Charles P. Stinson banjo

Date
late 19th century
Manufactured by
Caption
Charles P. Stinson’s minstrel credits include working with Callinder's Georgia Minstrels, the World's Minstrels, and Harvey and Frohman's Minstrel Companies as a banjo player, actor, and drum major. He made his name through banjo competitions though, notably in an 1888 competition in Kansas City when he beat eleven white competitors to become the first known African American to win such a competition in a southern state.
After touring through the 1880s, Stinson returned to Pittsburgh and set up a studio teaching amateur musicians. He taught parlor music to his middle-class students eager to join banjo, mandolin, and guitar orchestras playing arrangements of popular songs. Through his role as a teacher, Stinson also sold student-level banjos to his students. This case if for a banjo likely made by J.H. Buckbee in New York was the result of a collaboration between Stinson and Buckbee to create banjos for Stinson to assemble and distribute to his students; a common arrangement in the late nineteenth century as the instrument became popular.
Description
A black banjo case for a Charles P. Stinson banjo (2018.83.1). The case has a lid and a leather handle. The lid connects to the body of the case by to metal hinges. The lid has three metal clasps and a metal lock. The bottom of the case has a metal plate attached to it to protect the banjo's resonator. The top of the case has two metal nobs on the side away from the clasps. The interior of the case has a green velvet lining. There is a small compartment in the middle of the body of the case, where the neck of the banjo rests. The compartment of the case contains fragments from the frets of the banjo (2018.83.1). It also contains coordinator rods and hex nuts, some of which appear to be stripped or otherwise broken. There are 11 hex nuts, 4 coordinator rods, 27 fret pieces and two bridge pieces.
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National Museum of African American History and Culture Collection
Classification
Musical Instruments
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Clark and Sarah Case Family
Data Source
National Museum of African American History and Culture
Object number
2018.83.2
Type
cases (containers)
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
hardboard, leather, metal, velvet
Dimensions
H x W x D (closed): 35 5/8 × 15 3/8 × 5 7/8 in. (90.5 × 39 × 15 cm)
H x W x D (open): 35 5/8 × 29 1/2 × 3 15/16 in. (90.5 × 75 × 10 cm)
Title
Object Name • Banjo case for Charles P. Stinson banjo
Record ID
nmaahc_2018.83.2
Museum
NMAAHC
Title Sort
BANJO CASE FOR CHARLES P. STINSON BANJO
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1890s • 1860s
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America • City • Pittsburgh • County • Alleghany County • State • Pennsylvania
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Banjo created for Charles P. Stinson

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NMAAHC

Banjo case for Charles P. Stinson banjo

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NMAAHC

Black pants worn on Soul Train by dancer Jermaine Stewart

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NMAAHC

Stereograph of troops in the mountains of Fort Sill

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.