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THE JOURNEY THROUGH TIME

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Explore the people, places, events, achievements, struggles and stories that shaped our journey.

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

In Sojourner Truth I fought for the rights of women as well as blacks

Date
1946-1947; printed 1989
Caption
I wanted to show the history and strength of all kinds of Black women. Working women, country women, great women in the history of the United States. — Elizabeth Catlett
Elizabeth Catlett was a versatile sculptor and printmaker committed to making art that promoted women, family, community, and equality. In 1946, she received a Julius Rosenwald Foundation Grant to travel and study in Mexico City. There, she worked with the Taller de Gráphica Popular (People’s Graphic Arts Workshop), a printmaking collective primarily dedicated to the production of sociopolitical art. During her stay, she completed The Negro Woman. This narrative series of prints embodies a first-person perspective of Black women, imparting a sense of intimacy and resilience as the viewer navigates a variety of images relating to resilience, heroism, and the ongoing struggle for racial justice.
Description
This black and white linocut depicts Sojourner Truth. Shown from the waist up, she stands behind a lectern with an open book, perhaps a Bible, on top. She wears a dark striped dress with a light colored neckline or scarf around her neck. She has a light colored head wrap. Her right hand is raised with her index finger pointing upwards, and her left hand rests on the lectern. There is a handwritten title below the image in pencil. It is signed by the artist on the bottom right. The back is blank.
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National Museum of African American History and Culture Collection
Portfolio/Series
The Black Woman (formerly the Negro Woman)
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Winifred Hervey
Data Source
National Museum of African American History and Culture
Object number
2017.21.6
Type
linocuts
Restrictions & Rights
© 2020 Catlett Mora Family Trust/Licensed by VAGA at Artists Rights Society (ARS), NY
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink and graphite on paper
Dimensions
H x W (image with title): 9 5/8 × 5 7/8 in. (24.4 × 15 cm)
H x W (image): 8 7/8 × 5 7/8 in. (22.5 × 15 cm)
H x W (sheet): 14 1/8 × 11 1/4 in. (35.9 × 28.6 cm)
Title
Title • In Sojourner Truth I fought for the rights of women as well as blacks
Record ID
nmaahc_2017.21.6
Museum
NMAAHC
Title Sort
IN SOJOURNER TRUTH I FOUGHT FOR THE RIGHTS OF WOMEN AS WELL AS BLACKS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1940s
Geo Location
City • Mexico City • Country • Mexico • Region • Latin America • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Scrapbook for Sowing Truth and Justice Quilt presented to Stacey Abrams

Date: Date

Description

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NMAAHC

Sowing Truth and Justice Quilt presented to Stacey Abrams

Date: Date

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NMAAHC

Footage of Sojourners for Truth and Justice Eastern Seaboard Conference

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NMAAHC

In Sojourner Truth I fought for the rights of women as well as blacks

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.