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GREENWOOD / BLACK WALL STREET WILMINGTON 1898 LITTLE ROCK NINE TUSKEGEE STUDY ROSEWOOD 1923 THE TUSKEGEE AIRMEN SENECA VILLAGE BLACK TOWNS GREENWOOD / BLACK WALL STREET WILMINGTON 1898 LITTLE ROCK NINE TUSKEGEE STUDY ROSEWOOD 1923 THE TUSKEGEE AIRMEN SENECA VILLAGE BLACK TOWNS
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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Dress designed by Ann Lowe

Date
1966 - 1967
Designed by
Ann Lowe, American, 1898 - 1981
Worn by
Barbara Baldwin Dowd, American
Subject of
Black Fashion Museum, American, 1979 - 2007
Caption
Ann Lowe, considered one of the leading American designers of the 20th century, made beautifully embroidered and hand-stitched gowns. Born in Alabama, Lowe eventually settled in New York City where she dressed society ladies through the 1950s and 1960s. She is renowned as the designer of Jackie Kennedy's wedding gown and bridesmaids dresses.
Description
Pale green teal silk sari gown designed by Ann Lowe. The bodice is sleeveless with a scooped neckline and an empire waist. It is made from the border section of a sari featuring heavy metallic brocade in a geometric design, with the embroidered leaves from a sari border fussy cut from the fabric and sewn around the waist line, the bottom edges left loose to create a three-dimensional detail. The floor-length skirt has a flat front and is slightly gathered at the back. It is made from a sari that has an all-over design of metallic brocaded stylized leaves scattered at wide intervals with blank spaces between them. The edge of the skirt hem is trimmed in a sari border with a stylized floral and geometric metallic brocade design. Individual small metallic brocade leaves fussy cut from a larger sari fabric are sewn onto the skirt near the larger brocaded leaves of the skirt fabric. The dress closes at the center back with a zipper and one (1) metal hook-and-eye. Attached along the back top edge of the bodice is a panel of the same sari fabric used on the skirt that is separate from the back of the dress, extending down to meet the hemline of the skirt. The panel is gathered and seamed along the top edge of the bodice, with a slit cut in the back bodice corresponding to the zipper closure of the dress underneath. This slit is fastened shut with two (2) metal hooks into thread loops. The side and bottom edges of the panel are trimmed in the same sari border used to trim the skirt hem. Pre-tied bows with short tails made from the sari border are sewn at each back shoulder over the top corner seams of the back panel.
The interior bodice is lined in light blue fabric with boning sewn between the facing and lining around the bodice. Interior shoulder straps made from light pink fabric are tacked to the interior of the shoulder straps. A thin strip of elastic is tacked across the bodice outlining the breast cups. A wider band of elastic is tacked at the center front and wraps around under the bust line to fasten at the center back with two (2) metal hook-and-eyes. An interior waist band made from cream ribbon is sewn at the empire waist line and fastens at the center back with two (2) metal hook-and-eyes. The skirt and the underside of the back panel are lined in light teal silk chiffon. There is an attached petticoat made from the same light blue lining material as the bodice that is lined with light weight buckram. A self-fabric pleated ruffle is sewn at the bottom of the petticoat and the bottom edge of the petticoat hem is trimmed in stiff plastic buckram. A white fabric label with black embroidered text is sewn at the center front onto the interior waist band that reads "ANN LOWE / A. F. Chantilly Inc. / NEW YORK" with a woman in a ball gown at the right side.
Place made
New York City, New York, United States, North and Central America
Topic
African American
Clothing and dress
Design
Fashion
Fashion design
Women
See more items in
National Museum of African American History and Culture Collection
Collection title
Black Fashion Museum Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane
Data Source
National Museum of African American History and Culture
Object number
2007.3.23
Type
evening dresses
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
brocaded silk taffeta, silk chiffon, synthetic fiber, buckram, elastic and metal fasteners
Dimensions
H x W: 55 × 46 in. (139.7 × 116.8 cm)
Waist: 30 in. (76.2 cm)
Title
Object Name • Dress designed by Ann Lowe
Record ID
nmaahc_2007.3.23
Museum
NMAAHC
Title Sort
DRESS DESIGNED BY ANN LOWE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Name
Lowe, Ann • Dowd, Barbara Baldwin • Black Fashion Museum
Place
New York City • United States • North and Central America
Topic
Design • Women • Clothing and dress • Fashion
Culture
African Americans
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
Type
Dresses (garments)
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Last will and testament of Sarah Ann Blunt Crozley

Date: Date

Description

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NMAAHC

Letter to John Copeland from his wife Ann

Date: Date

Description

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NMAAHC

Dress designed by Ann Lowe

Date: Date

Caption

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NMAAHC

Cabinet card of Sarah Ann Blunt Crozely

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.