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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Commemorative textile with portrait of Barack Obama

Date
2009
Caption
This cloth by Lola Faturoti draws influence from the textile traditions of kanga and kente. Though not in traditional kente style, Faturoti has called the work “her version” of the kente cloth. During the candidacy and election of President Barack Obama, similar commemorative cloths were produced on the continent of Africa and around the world. The inspiration for this pattern was “Jubilation, Celebrating the History of the First Black President.” The designer chose satin to represent “Earth” grounding and chose a diamond design for a celebratory look; the waves represent the ocean ushering joy, happiness and newness.
Description
A length of commemorative printed textile by Lola Faturoti. The silk satin Crêpe De Chine textile features images of President Barack Obama set against an alternating, wavy, stripe pattern in blue/white and red/yellow with repeating reflective diamond shapes woven into the fabric. Throughout the length of the textile are six (6) repeating portraits of Obama. Each portrait of Obama is outlined within an oval frame. The oval frame is white with text printed along the bottom half that reads [OLUWA GBA PRESIDENT BARACK OBAMA] in Yoruba, which translates as "God Bless President Barack Obama." Underneath the oval is a graphic of a white banner, with text that reads [JANUARY 20. 2009]. A black and white graphic of Obama is depicted in the center of each oval, against a white and gray pebbled pattern background. The textile has a background design of a continuous blue/white and red/yellow pebbled pattern throughout. The pebble pattern is contained with thick black lines that create a wave-like movement in various directions. A white selvedge edge runs the length of the left edge of the textile, with color registrations printed on the top and bottom corners.
Place printed
See more items in
National Museum of African American History and Culture Collection
Classification
Textiles and Quilts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Catherine E. McKinley
Data Source
National Museum of African American History and Culture
Object number
2018.10.2
Type
textiles
portraits
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
dye on silk (textile)
Dimensions
H x W: 53 3/8 × 45 13/16 in. (135.6 × 116.4 cm)
Title
Object Name • Commemorative textile with portrait of Barack Obama
Record ID
nmaahc_2018.10.2
Museum
NMAAHC
Title Sort
COMMEMORATIVE TEXTILE WITH PORTRAIT OF BARACK OBAMA
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Geo Location
Country • Korea • Continent • Asia • City • New York City • State • New York • Country • United States • Continent • North and Central America • Region • West Africa • Continent • Africa • Region • East Africa
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Commemorative textile in black with Obama campaign slogan Yes We Can

Date: Date

Description

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NMAAHC

Commemorative textile with portrait of Barack Obama on blue background

Date: Date

Description

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NMAAHC

Commemorative textile with portrait of Barack Obama

Date: Date

Caption

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NMAAHC

Commemorative textile with portrait of Barack Obama

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.