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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Rhythm and Blues Revue

Date
1955
Caption
"Rhythm and Blues Revue", is a 1955 feature film compiled by Studio Films, Inc. from previously recorded Snader Telescriptions featuring renowned African American jazz singers and musicians from the 1950s. Performers include Faye Adams, Bill Bailey, Ruth Brown, Cab Calloway, Nat King Cole, Count Basie, Martha Davis, The Delta Rhythm Boys, Freddy and Flo, Lionel Hampton, Herb Jefferies, The Larks, Little Buck, Amos Milburn, Mantan Moreland, Nipsey Russell, Big Joe Turner, Sarah Vaughan and Willie Bryant.
Description
A 35mm black-and-white compilation film of a variety of short musical 'Soundie' films made for music-film jukeboxes, and television, by the Snader Telescription and Studio companies in the 1950s. It consists of four 35mm prints (a-d).
The film begins with a title sequence that announces each performer as a firework explodes behind their name. A credit roll then displays the below-the-line contributors. Next, an announcer introduces the emcee, Willie Bryant, during a shot of a theater audience. Bryant emerges from behind a curtain as the audience applauds. Before he can begin speaking, Bryant is interrupted by the comedian Freddie (Part of the Freddie & Flo comedy duo), who begs to be on the show. Later in the skit, Florence Hill (Flo) appears as a mind reading librarian. At the conclusion of the skit, Bryant announces the first performers, Lionel Hampton and his orchestra, who perform “Jam Session.”
After the conclusion of the song, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant again appears to announce the next performer, Faye Adams, who performs “Everyday” in front of the curtain. After the song ends there are multiple shots of the cheering audience and Bryant appears to announce the next performer, Bill Bailey. Bailey performs a tap-dancing routine that includes dance moves from his teacher Bill “Bojangles” Robinson and concludes with a moonwalk. At the end of the performance, the curtain closes and there are multiple shots of the audience cheering as Willie Bryant appears to announce the next performer, Herb Jeffries, who sings “In My Heart.” When the song ends, the curtain closes and there are multiple shots of the audience cheering as Freddie & Flo rush onto the stage to perform a comedy routine. After their routine there are multiple shots of the cheering audience and Bryant appears to announce the next performer, Amos Milburn, who sings “Bad Bad Whiskey” with backing from the Paul Williams Band.
At the conclusion of the song, the curtain closes and then reopens so that Milburn can bow. Bryant appears to announce the next performers, The Larks, who sing “The World Is Waiting for The Sunrise.” At the end of the performance, the curtain closes and there are multiple shots of the audience cheering as Bryant brings Freddie & Flo back onto the stage for some comedic banter. Bryant then introduces Lionel Hampton who performs “Bongo Interlude.” Two unnamed women dance during the performance. The curtain closes and there are multiple shots of the audience cheering. When the curtain opens, the stage is set up as a tobacconist and Leonard Reed is behind the counter listening to a Brooklyn Dodgers baseball game on the radio. Willie Bryant appears and the two men engage in a brief skit. Bryant then presents the next performer, Sarah Vaughan, who sings “Perdido.” The curtain closes and there are multiple shots of the audience cheering as Bryant returns to the stage. Nipsy Russell sneaks onto the stage behind Bryant and the two engage in comedic banter before Bryant presents the next performer, Count Basie who performs “Basie’s Conversation.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces Big Joe Turner who sings “Shake Rattle and Roll.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performers, The Delta Rhythm Boys, who perform the spiritual “Dem Bones.”
The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performers, Martha Davis and her husband, Calvin Ponder, who perform “Just Goodbye.” The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces the next performer, Little Buck, who performs a tap dance routine. The curtain closes, there are multiple shots of the audience cheering, and Bryant brings out Little Buck for more applause. Bryant then introduces the next performer, Nat King Cole, who sings “Calypso Blues.” The curtain closes, there are multiple shots of the audience cheering, and Nipsy Russell and Mantan Moreland come out for a comedy routine. Moreland leaves the stage and Russell continues on his own. Following Russell’s routine, Bryant introduces Cab Calloway who performs “Minnie the Moocher.” The curtain closes, there are multiple shots of the audience cheering, and Bryant brings out Ruth Brown for some stage banter before she performs “Teardrops from My Eyes” with backing by the Paul Williams Band. The curtain closes, there are multiple shots of the audience cheering, and Bryant introduces Count Basie for the film’s final performance, “One o'Clock Jump.”
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National Museum of African American History and Culture Collection
Collection title
Pearl Bowser Collection
Classification
Time-based Media - Moving Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Data Source
National Museum of African American History and Culture
Object number
2012.79.1.105.1a-d
Type
sound films
color films (visual works)
35mm (photographic film size)
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
acetate film
Dimensions
Physical extent (film): 1850 ft
Physical extent (film): 1560 ft
Physical extent (film): 1650 ft
Physical extent (film): 1450 ft
Duration (total): 72 min.
Title
Title • Rhythm and Blues Revue
Record ID
nmaahc_2012.79.1.105.1a-d
Museum
NMAAHC
Title Sort
RHYTHM AND BLUES REVUE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1950s
Geo Location
Locale • Harlem • City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of the Five Spirits of Rhythm

Date: Date

Description

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NMAAHC

Window card for The Bronze Venus

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NMAAHC

Lobby card for The Bronze Venus

Date: Date

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NMAAHC

Rhythm and Blues Revue

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.