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A deal with the Devil or Faustian bargain[a] is a cultural trope exemplified most famously by the legend of Faust, who was signed a contract with the demon Mephistopheles in exchange for knowledge and pleasure. Similar stories are also elemental to many Christian traditions. The pact between a person and the Devil or another demon generally involves trading one's soul for diabolical favours, which vary by the tale, but tend to include youth, knowledge, wealth, fame and power.
It was also believed that some people made this type of pact just as a sign of recognising the minion as their master, in exchange for nothing. The bargain is a dangerous one, as the price of the fiend's service is the wagerer's soul. For most religions, the tale may have a bad end, with eternal damnation for the foolhardy venturer. Conversely, it may have a comic twist, in which a wily peasant outwits the devil, characteristically on a technical point. The person making the pact sometimes tries to outwit the devil, but loses in the end (e.g., man sells his soul for eternal life because he will never die to pay his end of the bargain. Immune to the death penalty, he commits murder, but is sentenced to life in prison).
A number of famous works dating back to the early Middle Ages refer to pacts with the devil, from the numerous European Devil's Bridges to the violin virtuosity of Giuseppe Tartini and Niccolò Paganini to the "crossroad" myth associated with Robert Johnson. The tale of Faust gained notoriety in the English world following Christopher Marlowe's play The Tragical History of Doctor Faustus (c. 1592), and then Goethe's Faust, which was published in two parts in the late 18th and early 19th centuries, became an international hit and gave new life to the legend.[1]
In Stith Thompson's Motif-Index of Folk-Literature, "Bargain with the devil" constitutes motif number M210 and "Man sells soul to devil" motif number M211.[2]

Deals with the devil, just like normal contracts in society can be either oral or written.[3] An oral pact may be made by means of invocations, conjurations, or rituals to attract the demon; once the conjurer thinks the demon is present, they ask for the wanted favour and offer their soul in exchange, and no evidence is left of the pact. But according to some witch trials, an oral pact left evidence in the form of the Witches' mark, an indelible mark where the marked person had been touched by the devil to seal the pact. The mark could be used as a proof to determine that the pact was made. It was also believed that on the spot where the mark was left, the marked person could feel no pain. A written pact consists in the same forms of attracting the demon, but includes a written act, usually signed with the conjurer's blood (although sometimes it was also alleged that the whole act had to be written with blood; meanwhile some demonologists defended the idea of using red ink instead of blood and others suggested the use of animal blood instead of human blood).[4]
These acts present themselves as diabolical pacts, though there is not always certainty of an actor's authentic sanity. Usually the acts included strange characters that were said to be the signature of a demon, and each one had his own sigil. Books like The Lesser Key of Solomon (also known as Lemegeton Clavicula Salomonis) give a detailed list of these signs, known as diabolical signatures.
The Malleus Maleficarum discusses several alleged instances of pacts with the Devil, especially concerning women. It was considered that all witches and warlocks had made a pact with one of the demons, usually Satan.
According to demonology, there is a specific month, day of the week, and hour to call each demon, so the invocation for a pact has to be done at the right time. Also, as each demon has a specific function, a certain demon is invoked depending on what the conjurer is going to ask.
In the narrative of the Synoptic Gospels, Jesus is offered a series of bargains by the devil, in which he is promised worldly riches and glory in exchange for serving the devil rather than God. Upon rejecting the devil's overtures, he embarks on his travels as the Messiah.[5]
The first instance in Western religion, literature, or lore of a person trading his or her soul to the devil in exchange for worldly benefit is the story of Theophilus of Adana.[6][7] According to the legend, Theophilus was an unhappy and despairing cleric, disappointed in his worldly career by his bishop, who sells his soul to the devil but is redeemed by the Virgin Mary.[8] His story appears in a Greek version of the 6th century written by a "Eutychianus" who claims to have been a member of the household in question.
A 9th-century Miraculum Sancte Marie de Theophilo penitente inserts a Virgin as intermediary with diabolus, his "patron", providing the prototype of a closely linked series in the Latin literature of the West.[9]
In the 10th century, the poet nun Hrotsvitha adapted the text of Paul the Deacon for a narrative poem that elaborates Theophilus' essential goodness and internalises the seduction of good and evil, in which the devil is magus, a necromancer. As in her model, Theophilus receives back his contract from the devil, displays it to the congregation, and soon dies.
A long poem on the subject by Gautier de Coincy (1177/8–1236), entitled Le miracle de Théophile: ou comment Théophile vint à la pénitence provided material for a 13th-century play by Rutebeuf, Le Miracle de Théophile, where Theophilus is the central pivot in a frieze of five characters, the Virgin and the bishop flanking him on the side of good, the Jew and the devil on the side of evil.
"The Smith and the Devil" is a fairy tale. The story is of a smith who makes a pact with a malevolent being—commonly the Devil (in later times), Death, a demon or a genie—selling his soul for some power, then tricks the devil out of his prize. In one version, the smith gains the power to weld any materials, then uses this power to stick the devil to an immovable object, allowing the smith to renege on the bargain.[10] It is indexed as ATU 330.[11]


The term "a deal with the Devil" (or "Faustian bargain") is also used metaphorically to condemn a person or persons perceived as having cooperated with an evil person or organisation. An example of this is the Jewish lawyer Rudolf Kasztner negotiating a deal with Nazi leader Adolf Eichmann, architect of the Holocaust, to allow a select group of Jews to escape Hungary and go to Switzerland for a fee.[28] Under Jewish law, the principle of pikuach nefesh ("saving life") is an obligation to compromise one's principles in order to preserve human life, but the morals of Kasztner's deal remain debated.[28]
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A deal with the Devil or Faustian bargain is a cultural trope exemplified most famously by the legend of Faust, who was signed a contract with the demon Mephistopheles in exchange for knowledge and pleasure. Similar stories are also elemental to many Christian traditions. The pact between a person and the Devil or another demon generally involves trading one's soul for diabolical favours, which vary by the tale, but tend to include youth, knowledge, wealth, fame and power. It was also believed that some people made this type of pact just as a sign of recognising the minion as their master, in exchange for nothing. The bargain is a dangerous one, as the price of the fiend's service is the wagerer's soul. For most religions, the tale may have a bad end, with eternal damnation for the foolhardy venturer. Conversely, it may have a comic twist, in which a wily peasant outwits the devil, characteristically on a technical point. The person making the pact sometimes tries to outwit the devil, but loses in the end (e.g., man sells his soul for eternal life because he will never die to pay his end of the bargain. Immune to the death penalty, he commits murder, but is sentenced to life in prison). A number of famous works dating back to the early Middle Ages refer to pacts with the devil, from the numerous European Devil's Bridges to the violin virtuosity of Giuseppe Tartini and Niccolò Paganini to the "crossroad" myth associated with Robert Johnson. The tale of Faust gained notoriety in the English world following Christopher Marlowe's play The Tragical History of Doctor Faustus (c. 1592), and then Goethe's Faust, which was published in two parts in the late 18th and early 19th centuries, became an international hit and gave new life to the legend. In Stith Thompson's Motif-Index of Folk-Literature, "Bargain with the devil" constitutes motif number M210 and "Man sells soul to devil" motif number M211.
The Devil-Doll is a 1936 American horror film directed by Tod Browning and starring Lionel Barrymore and Maureen O'Sullivan. The film was loosely influenced by the novel Burn Witch Burn! (1932) by Abraham Merritt. It has become a cult film. A French scientist is worried about human overpopulation. He creates a formula able to shrink humans, in order for the planet's resources to last longer. He dies shortly after a prison escape, and his former cellmate decides to use the formula in a revenge scheme. The former prisoner targets the people who had originally framed him for bank robbery and murder.
"Sympathy for the Devil" is a song by the English rock band the Rolling Stones. The song was written by Mick Jagger and credited to the Jagger–Richards partnership. It is the opening track on the band's 1968 album Beggars Banquet. The song has received critical acclaim and features on Rolling Stone magazine's "The 500 Greatest Songs of All Time" list, being ranked number 106 in the 2021 edition.
The Devil Wears Prada is a 2006 American comedy-drama film directed by David Frankel and produced by Wendy Finerman. The screenplay, written by Aline Brosh McKenna, is based on the 2003 novel by Lauren Weisberger. The film stars Meryl Streep, Anne Hathaway, Stanley Tucci, and Emily Blunt. It follows Andy Sachs (Hathaway), an aspiring journalist who gets a job at a fashion magazine but finds herself at the mercy of her demanding editor, Miranda Priestly (Streep). 20th Century Fox bought the rights to a film adaptation of Weisberger's novel in 2003, before it was completed, but the project was not greenlit until Streep was cast. Principal photography lasted 57 days across September to December 2005, primarily taking place in New York City. Additional filming took place in Paris. The Devil Wears Prada premiered at the LA Film Festival on June 22, 2006, and was theatrically released in the United States on June 30. It received positive reviews, particularly for Streep's performance; she won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and was nominated as Best Lead Actress for the Academy Award, BAFTA Award, SAG, and Critics' Choice. The film grossed $327 million worldwide against a budget of $35–41 million. A sequel, The Devil Wears Prada 2, was released in May 2026. Most designers and other fashion figures avoided appearing as themselves, reportedly for fear of displeasing the American Vogue editor Anna Wintour, who is widely believed to have been the inspiration for the character of Miranda Priestly. However, Wintour stated she enjoyed the film and Streep's performance in particular.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
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