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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Polaroid photograph of a work on canvas on an easel by Donna Summer

Date
ca. 1991
Description
A color Polaroid photograph of a painting on an easel by Donna Summer, taken by Donna Summer. The image is centered on an abstract portrait of a Native American man in regalia, sitting on an easel. The man is shown in bust pose on the right of the portrait, with his head turned towards his proper right shoulder. He is wearing white regalia with blue and gold detailing on the sleeves and collars, as well as a war bonnet with yellow and white feathers and blue and red ribbons framing his face. The man is painted against a red, black, and white striped background at the top and a yellow background at the bottom. The painting is resting against a thin white board. The portrait, and the wooden easel it is sitting on, partially obscures another painting resting on the floor behind it. The painting on the floor is highly abstract and set against a black background. It features horizontal black and yellow stripes as well as vertical blue, yellow, and black stripes. At the top center is a finger with a red fingernail just below a wedge shape with a leopard print pattern. The painting is resting on a medium brown wooden floor and leaning against a plain white wall. In the background is a set of windows with gray valence hanging above. The back of the polaroid is black with a white frame. The date and film code, [02111111089], is printed in the bottom left corner with [POLAROID ® 6] in the right corner.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2023.85.2.2
Type
dye diffusion transfer prints
Restrictions & Rights
© Estate of Donna Summer
Permission required for use. Proper usage is the responsibility of the user.
Medium
dye on photographic paper
Dimensions
H x W x D (Sheet): 4 1/4 × 3 1/2 × 1/16 in. (10.8 × 8.9 × 0.2 cm)
H x W (Image): 3 1/8 × 3 1/16 in. (7.9 × 7.8 cm)
Title
Object Name • Polaroid photograph of a work on canvas on an easel by Donna Summer
Record ID
nmaahc_2023.85.2.2
Museum
NMAAHC
Title Sort
POLAROID PHOTOGRAPH OF A WORK ON CANVAS ON AN EASEL BY DONNA SUMMER
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Geo Location
City • Thousand Oaks • County • Ventura County • State • California • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Patience on a Monument

Date: Date

Description

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NMAAHC

Photograph of Dr. A. M. Townsend next to a monument

Date: Date

Description

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NMAAHC

Polaroid photograph of a work on canvas on an easel by Donna Summer

Date: Date

Description

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No preview image
NMAAHC

Receipt for donation to the Soldiers' Orphans' Home by David Spears

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.