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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Brown bodice and skirt with green silk trim

Date
ca.1895
Created by
Description
A brown bodice and skirt made of novelty fabric with green silk trim. The dress was originally made in the 1890s but it has been reworked later. The bodice (a) is made from a silk wool blended novelty weave with black and multicolored silk thread woven throughout. The neckline has a detachable high neck band collar made of green silk satin on the bias and two bands of self-fabric gathered trim. A band of cotton canvas interfacing is placed between the exterior fabric and self-facing. The collar is tacked to the rounded neckline at two points at the proper left and closes in the center back with three metal hooks and eyes. The yoke is made of green silk satin on the bias with a band of self-fabric gathered trim which connects to the proper left shoulder with two metal hooks and eyes. The yoke is covered with metallic embroidery and iridescent green and blue glass beans in floral motifs. Synthetic black lace is hand stitched underneath the self-fabric gathered trim. The gigot sleeves are divided into two sections, both of which are made of two panels of fabric. Gathering is placed at the top of the shoulder and on the seam joining both sections of the sleeve. The bottom sleeve portion is fitted to the arm and has an additional sewn on cuff that flares out and tapers inwards at the inner wrist. Two bands of self-fabric gathered trim made of the same silk satin used on the collar and yoke are sewn to the cuffs. The bodice opens at the proper left side and is gathered along the center front, ending at the natural waist. The yoke continues onto the back mirroring what is seen at the front of the bodice. The bodice is lined with light green cotton twill fabric, the sleeves are unlined. Non-woven batting possibly lambswool is placed at the center back along the shoulder blades and at the center front along the bust between the lining and exterior fabric. Two sets of hooks and eyes are sewn at the garment's interior. The first set includes eleven alternating hooks and eyes closing the inner bodice fastener made of the lining. The second set of eight hooks and eyes runs down the proper left front opening to secure the garment's exterior closed. Four metal eyes are sewn to the bottom of the bodice which match up hooks found on the skirt. Ten pieces of metal boning covered in cotton are set into each seam at the bodice, excluding the bust darts.
The matching skirt (b) is made of the same novelty woven fabric as the bodice. The skirt is fitted at the natural waist, the waistband uses the fabric’s selvage. Four metal hooks are sewn to the waistband matching those found on the bodice. Two flaps start at the waistline along the center front of the skirt and end in rounded edges at the hemline. These flaps are finished with strips of green synthetic self-fabric gathered trim. This trim is machine stitched and was a later addition of the skirt. The rounded flaps are sewn to the front of the skirt which are finished with a rolled hem. An added band of the same novelty weave fabric is sewn six inches above the hemline. This band is finished with the same green trim used throughout the rest of the ensemble. The bottom of the skirt’s hem, hidden by the added band is finished with green cut pile cord. The back of the dress closes in the center back with one metal eye and two hooks. A twelve inch placket is sewn along the center back opening. The skirt is gathered on each side of the center back slit. The dress is lined with black waxed or glazed cotton and the waist is lined with a tan glazed cotton. Three hanger loops, one at the center front and two at the sides are tacked to the skirt’s interior.
Cataloging Notes
This project received Federal support from the Smithsonian American Women’s History Initiative Pool, administered by the Smithsonian American Women’s History Museum.
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National Museum of African American History and Culture Collection
Collection title
Black Fashion Museum Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane
Data Source
National Museum of African American History and Culture
Object number
2007.3.192ab
Type
ensembles (costume)
bodices
skirts
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
silk wool blended fabric, silk satin trim, metal thread, glass beads, cotton canvas, metal boning, and metal
Dimensions
L x W (a. bodice): 16 × 11 in. (40.6 × 27.9 cm)
Waist: 13 in. (33 cm)
L x W (b. skirt): 41 × 12 in. (104.1 × 30.5 cm)
Title
Object Name • Brown bodice and skirt with green silk trim
Record ID
nmaahc_2007.3.192ab
Museum
NMAAHC
Title Sort
BROWN BODICE AND SKIRT WITH GREEN SILK TRIM
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1900s • 1890s
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.