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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Poster for Madea's Class Reunion

Date
2003
Printed by
Description
A poster advertising the release of a recording of the play “Madea's Class Reunion" by Tyler Perry. The poster is small, narrow and printed on thin paper. The text is black, white, purple and red and in a variety of sizes and fonts. The top third of the poster reads, [Tyler Perry’s® / MADEA’s CLASS / REUNION / THE CLASS THAT HAD NO CLASS]. Below the text are photographic images of three figures. The central figure is Tyler Perry dressed in a white shirt, wide pinstriped jacket and wearing a large gold cross. He is holding his arms upright with his thumbs pointing at the figures behind him. The figure on the right is Tyler Perry as his granny character, Madea. Madea has grey bobbed hair and is wearing a lavender suit, black cat eyeglasses and is holding a cigarette. The figure to the left is Tyler Perry as the bellboy/bartender character, "Dr." Willie Leroy Jones. He has short braids and is wearing a red bellboy uniform, a black skullcap, black-rimmed glasses and the gold chains. The bottom third of the poster are images of three mini-posters advertising three other plays written by Tyler Perry. The mini-poster on the far left has red and white text that reads, [Tyler Perry’s® / I Can Do / Bad All / By Myself / See the show where Madea got her start!], and features a black and white image of Tyler Perry as Madea, wearing a leopard print head scarf, a plain jacket with leopard print cuffs and black cat eye glasses. The middle mini-poster has white and yellow text that reads [Tyler Perry’s® / Madea Family / Reunion / THE THEATRICAL PRODUCTION / A wedding, a funeral and a family reunion… / and she did it all for only 75 dollars], and features Tyler Perry as Madea, wearing a floral purple print dress with a white lace collar, black cat eye glasses, and black loafers. She is smoking a cigarette while holding a purse in one hand and a gun in the other. To the right of the Madea image is a faded image of Tyler Perry’s head. The third mini-poster on the right has white, yellow and red texts that reads, [Tyler Perry’s / Diary of a Mad Black Woman] featuring an image of a torn piece of paper that reads [Dear Diary, / Today is my twentieth / year anniversary and / my husband is leaving me / Signed a Mad Black Woman] and features a bedside stand with flowers and a vase, a box of tissues, an alarm clock and a lamp, next to a bed with a red diary resting on it. Below the mini posters is a VHS and DVD release date. The reverse of the poster is blank.
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National Museum of African American History and Culture Collection
Classification
Memorabilia and Ephemera - Advertisements
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kathleen M. Kendrick
Data Source
National Museum of African American History and Culture
Object number
2015.64.3
Type
posters
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
ink on paper
Dimensions
H x W: 19 7/16 × 13 in. (49.4 × 33 cm)
Title
Object Name • Poster for Madea's Class Reunion
Record ID
nmaahc_2015.64.3
Museum
NMAAHC
Title Sort
POSTER FOR MADEA'S CLASS REUNION
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Viewpoints of Diaspora Architects

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The Dixie Hummingbirds

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Hav Plenty

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NMAAHC

Poster for Madea's Class Reunion

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.