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THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Portrait of John Westwood

Date
ca. 1807-1808
Caption
In December 1798 Joshua Johnson placed an advertisement in the Baltimore Intelligencer: "As a self-taught genius, deriving from nature and industry his knowledge of the Art; and having experienced many insuperable obstacles in the pursuit of his studies, it is highly gratifying to him to make assurances of his ability to execute all commands with an effect, and in a style, which give satisfaction."
Well-known in the community, Johnson enjoyed a successful career as a painter, receiving most of his commissions from a wealthy white clientele, such as plantation owner John Westwood. The chest-length view, feigned oval enclosure, linear application of paint, and shallow depth defined a common style among itinerant painters of the time. In addition to this portrait, Johnson painted Westwood’s three children.
Description
An oil painting portrait of John Westwood, painted in conventional English portrait style of formal, bust-length pose and arranged backdrop. It depicts a half-length male figure wearing a brown coat with silver buttons and white waistcoat against a dark background. The figure is clean shaven with short brown hair, and is encircled by a faux oval frame. Painted as part of the composition, the oval frame is slightly lighter in color than the background. The painting is framed in a dark wood frame.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Slavery and Freedom Objects
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture. Conservation funded by a grant from the Bank of America Art Conservation Project
Data Source
National Museum of African American History and Culture
Object number
2010.25abc
Type
oil paintings
portraits
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
oil paint on canvas , wood
Dimensions
H x W x D (framed): 38 3/16 × 33 1/4 × 2 1/2 in. (97 × 84.4 × 6.4 cm)
H x W (unframed): 30 1/4 × 25 1/4 in. (76.8 × 64.1 cm)
Title
Title • Portrait of John Westwood
Record ID
nmaahc_2010.25abc
Museum
NMAAHC
Title Sort
PORTRAIT OF JOHN WESTWOOD
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1800s
Geo Location
City • Baltimore • State • Maryland • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Walking plow owned by Joshua Lyles

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Description

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NMAAHC

Joshua Redman, 1990

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Description

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NMAAHC

Portrait of John Westwood

Date: Date

Caption

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NMAAHC

Space is the Place

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Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.