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Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
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Meet the people whose lives, choices and achievements shaped the journey.
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In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
A veshti or vēṭṭi is a rectangular piece of non-stitched cloth, with varying lengths, used as a wrap for the lower body by the Tamils. It is often white, bordered in brightly coloured stripes. It is generally wrapped around the legs, knotted and secured by a corner being tucked beneath the wrapped cloth at the waist.[1] The style of draping might vary between communities, and men sometimes wear a hip belt to hold the veshti in place.[2] Predominantly worn by men, it is sometimes worn by women and the drape is known as vetti-mundu.[2][3]
Dhoti is a costume similar to veshti, which is a long, white rectangular piece of non-stitched cloth, that is wrapped around the waist, looped around the legs (similar to trousers) and knotted at the waist.[4] A lungi is also similar to a veshti but made tubular with the ends stitched together, designed with colourful batik patterns, and is a common form of male attire in the countryside.[1][5]
Media related to Veshti at Wikimedia Commons
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
A veshti or vēṭṭi is a rectangular piece of non-stitched cloth, with varying lengths, used as a wrap for the lower body by the Tamils. It is often white, bordered in brightly coloured stripes. It is generally wrapped around the legs, knotted and secured by a corner being tucked beneath the wrapped cloth at the waist. The style of draping might vary between communities, and men sometimes wear a hip belt to hold the veshti in place. Predominantly worn by men, it is sometimes worn by women and the drape is known as vetti-mundu. Dhoti is a costume similar to veshti, which is a long, white rectangular piece of non-stitched cloth, that is wrapped around the waist, looped around the legs (similar to trousers) and knotted at the waist. A lungi is also similar to a veshti but made tubular with the ends stitched together, designed with colourful batik patterns, and is a common form of male attire in the countryside.
The dhoti is an ankle-length breechcloth, wrapped around the waist and the legs, in resemblance to the shape of trousers. The dhoti is a garment of ethnic wear for men in the Indian subcontinent. The dhoti is fashioned out of a rectangular piece of unstitched cloth, of usually around 4 yards (3.7 m) in length. The dhoti is the male counterpart to the sari, worn by women to religious and secular ceremonies (functions). A pitambar is a yellow silk dhoti worn on auspicious occasions. Dhotis must not be confused with "readymade panchakachams" or "dhoti pants", which are a new ready to wear trend, popular among women and typical of children. Although the terms mundu or veshti are used interchangeably with "dhoti", they are different from the dhoti, which is "looped" or wrapped around the legs, in the form of trousers or pants. The dhoti is better known as panchakacham in South India, which may even be worn while doing dances such as the moonwalk.
In the context of clothing, a wrap is "A loose garment or article of feminine dress used or designed to envelop or fold about the person; a shawl, scarf, or the like." "a long piece of cloth worn around the shoulders for warmth or decoration, usually by women" "a loose piece of clothing that is worn tied around the body" It can refer to a shawl or stole or other fabric wrapped about the upper body, or a simple skirt-type garment made by wrapping a piece of material round the lower body. Many people of all genders throughout the world wear wraps in everyday life, although in the West they are largely worn by women. They are sometimes sewn at the edges to form a tube which keeps the required size. A wrap may be secured by a corner being tucked beneath the wrapped material, by making a knot, or using ties, buttons or velcro. Types of wrap garments include: Antriya Adivasah Uttariya Veshti Kilt Cape, Cloak Longyi Mundu a garment worn in Kerala, the Tulunadu region, and Maldives. Mathabana Stanapatta Obi (sash) Sash Palla (garment) Pallium (Roman cloak), Toga, Himation, Chiton (costume) Pareo — any piece of cloth wrapped around the body, worn by men or women, especially in the Cook Islands and Tahiti. Belted plaid Sarong and baju kebaya — length of fabric wrapped around the waist and worn by men and women throughout much of South Asia, Southeast Asia, the Arabian Peninsula, the Horn of Africa, and on many Pacific islands. Sari Ta'ovala — a Tongan dress, a mat wrapped around the waist, worn by men and women, at all formal occasions.
Fashion is a term used to describe the creation of clothing, footwear, accessories, cosmetics, and jewellery of different cultural aesthetics and their mix and match into outfits that depict distinctive ways of dressing (styles and trends) as signifiers of social status, self-expression, and group belonging. As a multifaceted term, fashion describes an industry, designs, aesthetics, and trends. The term fashion originates from the Latin word facere, which means "to make", and describes the manufacturing, mixing, and wearing of outfits adorned with specific cultural aesthetics, patterns, motifs, shapes, and cuts, allowing people to showcase their group affiliations, values, meanings, beliefs, and ways of life. Given the rise in mass production of commodities and clothing at lower prices and global reach, reducing fashion's environmental impact and improving sustainability have become urgent concerns an urgent issue among politicians, brands, and consumers. The world's three leading fashion capitals currently are recognised to be New York City (Manhattan), Paris, and Milan, which are all headquarters to the most significant fashion companies and are renowned for their major influence on global fashion. The annual Met Gala held at the Metropolitan Museum of Art in Manhattan is widely considered to be the world's apex display of fashion's power, wealth, and influence. In some fashion circles, Tokyo, London, and Los Angeles are also considered as second-tier fashion centers. Fashion weeks are held in these cities, where designers exhibit their new clothing collections to audiences. A study demonstrated that general proximity to Manhattan's Garment District was important to participate in the American fashion ecosystem. However, fashion has also migrated online to a significant extent, such that the geographical importance of cities as fashion capitals, while still centrally important, has become less so with the advent of artificial intelligence. Haute couture has now largely been spread alongside the sale of ready-to-wear collections and perfume using the same branding.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Joe Louis.
