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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with Bill Bailey

Date
1950-1958
Description
A black-and-white photograph of Disc Jockey Bill “Hawk” Hawkins with Bill Bailey. The photograph, taken from inside the Bill Hawkins’ Record Studio, depicts Hawkins and Bailey standing behind a large DJ console with a microphone and a turntable. Hawkins and Bailey are depicted from the waist up, facing the left edge of the photograph. Hawkins, on the far right, holds an advertisement for his WEW radio show in front of him with his proper right hand and he is gesturing towards it with his proper left hand. Bailey, center, looks over Hawkins’ proper right arm at the advertisement. Both men are smiling. Hawkins is wearing a dark collared shirt with wavy white vertical lines, a dark tie, and dark trousers. Over his ears are a pair of headphones with black wires draped down the front of his shirt. Bailey is depicted wearing a dark suit, white collared shirt, and a medium-toned tie with thin, white diagonal stripes. In front of the men is DJ equipment and a silver tone microphone. The advertisement in Hawkins’ hand depicts a graphic of a footed beer glass with a banner across the front and a small speaker over the foot. The text, printed in varying fonts and sizes over the graphics, reads [[WR?]ITE A / GOLDEN / TIME” / COMMERCIAL / YOUR HOST / Burkhardt’s / Special / BEER / WEWS / SATURDAY 11 PM]. In the top right corner of the advertisement are graphics of musical notes and white text that reads [There’s a Smile / in Every Bubble!]. White text printed in the bottom right corner reads [[---?]T’s EASY!] and [BREW[---?] [---?], AKRON, OHIO]. Behind Hawkins and Bailey is a window framed in wood paneling with white curtains on the right. On the left is a clear window and the head of a young man in profile is visible. Some posters with graphics and text are visible above him. The photograph has a white border and a landscape orientation. The back of the photograph is white and plain with a stamp slightly above and to the left of center and handwritten black and red ink inscriptions at the center and in the top right corner. The black ink stamp reads [JAMES A. JOYCE / PHOTOGRAPHER / TY 1-0748 CLEVELAND, OHIO].
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of W. Allen Taylor, son of "Walkin' Talkin' Bill Hawkins," The First Black Disc Jockey of Cleveland, Ohio
Data Source
National Museum of African American History and Culture
Object number
2018.91.2.10
Type
gelatin silver prints
portraits
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (Sheet): 5 1/16 × 7 in. (12.9 × 17.8 cm)
Title
Object Name • Photograph of Disc Jockey Bill “Hawk” Hawkins with Bill Bailey
Record ID
nmaahc_2018.91.2.10
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF DISC JOCKEY BILL “HAWK” HAWKINS WITH BILL BAILEY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1950s
Geo Location
City • Cleveland • County • Cuyahoga County • State • Ohio • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with Bill Bailey

Date: Date

Description

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NMAAHC

Photograph of Bill “Hawk” Hawkins, Mary Lou Williams, and Paul Breckenridge

Date: Date

Description

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NMAAHC

Photograph of Bill “Hawk” Hawkins, Mary Lou Williams, and Paul Breckenridge

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NMAAHC

Photograph of Bill “Hawk” Hawkins, Mantan Moreland, and Paul Williams

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.