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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with Herbert “Hot Sauce” Williams

Date
April 1949
Description
A black-and-white photograph of Disc Jockey Bill “Hawk” Hawkins with Herbert “Hot Sauce” Williams. Williams are Hawkins depicted in profile, facing each other and smiling, with Williams standing on the left and Hawkins on the right. Williams’ proper left hand rests on Hawkins’ proper right shoulder and the two men are both holding opposite sides of a long-playing record between them with their other hands. Behind the record, also between the men, is a silver tone microphone. At the top of the microphone is a rounded microphone flag with the radio station call sign, [WSRS], visible. Hawkins is wearing a medium-toned suit, white collared shirt, a dark patterned bow tie, and has a white pocket square in his left breast pocket. Williams is wearing a tall, white, paper chef hat, medium-toned trousers, and a white short sleeve, button down shirt. The men are standing in front of a DJ console with two turntables. The acoustic wall panel behind Hawkins and Williams is white and has four bands of small perforations along the top half. The photograph has a white frame and a portrait orientation. There is a yellow tape mark at the center of the top edge. The back of this photograph is white and plain with a photographer’s stamp and inscriptions. The black ink stamp at the center reads [“Another Photo” / BY CLEMENT PERRY / GLENVILLE 8927]. There are two inscriptions in the top left corner, one written in black ink that reads [April 1949], and the other in blue ink, that reads [“Hot Sauce” Williams] and a red [+] in the bottom left corner. There is also a tide mark in the top right corner.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of W. Allen Taylor, son of "Walkin' Talkin' Bill Hawkins," The First Black Disc Jockey of Cleveland, Ohio
Data Source
National Museum of African American History and Culture
Object number
2018.91.2.27
Type
gelatin silver prints
portraits
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (Sheet): 10 × 8 1/8 in. (25.4 × 20.6 cm)
Title
Object Name • Photograph of Disc Jockey Bill “Hawk” Hawkins with Herbert “Hot Sauce” Williams
Record ID
nmaahc_2018.91.2.27
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF DISC JOCKEY BILL “HAWK” HAWKINS WITH HERBERT “HOT SAUCE” WILLIAMS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1940s
Geo Location
City • Cleveland • County • Cuyahoga County • State • Ohio • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with a WSRS microphone

Date: Date

Description

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins standing at a WSRS microphone

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with Herbert “Hot Sauce” Williams

Date: Date

Description

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with a strolling band

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.