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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with a strolling band

Date
1948-1958
Photograph by
Description
A black-and-white photograph of Disc Jockey Bill “Hawk” Hawkins with a strolling band. Hawkins is depicted standing behind a DJ console placed on a sidewalk in front of a jewelry store. Directly behind him is the store front window decorated with painted graphics of a large eagle with spread wings, vinyl records, musical notes, and a banner at the top that reads [Bill Hawkins’-Records]. Hawkins stands at the center of the group wearing a white collared shirt, medium-toned trousers, and has a pair of headphones over his ears with black wires draped down the front of his shirt. He is dancing behind the microphone stand in front of him. At the top of the microphone is a microphone flag with the radio station call sign [WSRS] printed in white text. Hawkins is surrounded by a group of six men, including five men playing instruments and wearing the identical medium-toned, white, polka dot, clown costumes. Two of the musicians stand to the left of Hawkins, and the other three musicians stand on the right. The musician on the far left is playing a piano accordion. He is depicted facing the viewer and is smiling. He has a mustache and wears a sombrero on his head. The musician second from the left is depicted playing a trombone. He is wearing a miniature sombrero slightly off center. He is depicted in profile, facing Hawkins. The musician to the right of Hawkins is playing a large bass. He is depicted facing the viewer and wearing a miniature sombrero on the side of his head. The man second from the far right is depicted playing the bugle. He is standing in profile, wearing thick, dark rimmed glasses and a miniature sombrero on the top of his head. The musician on the far right is depicted in three quarters profile, with his head turned towards the viewer. He is playing the saxophone and he is also wearing a slightly tilted miniature sombrero. The sixth man, wearing a different costume, stands directly to the left of Hawkins. He is wearing a dark fez on his head, a white shirt, an embellished vest, a striped sash at his waist, and medium-toned harem trousers. He is holding an elongated, thin item in his proper right hand. The front of Hawkins DJ console advertises the WSRS radio station. A black, round graphic is painted at the center with the text [DIAL 1490] above it. On either side of the graphic is text written in varying fonts and sizes reads [RADIO / WSRS / MUSIC / AND / NEWS]. At the bottom, smaller text reads [THE COMMUNITY INFORMATION STATION / WITH THE ALL-AMERICAN FAMILY APPEAL]. A sign above the jewelry store reads [Fidelity / WATCH AND JEWELRY REPAIR]. In the background on the left, is a wooden bench with a white sign taped above it that reads [Requestfully / yours / Just ask Bill!]. On the right is a metal framed building sign that reads [1940 / FIDELITY / [BUIL?]DING]. There is yellowed tape residue along the bottom edge. The photograph has a white frame and a landscape orientation. The back of this photograph is white and plain with an inscription at the top center and remnants of a piece of adhesive tape along the bottom edge. The green ink inscription near the top center edge reads [Hawk / at The Street Charitable shop / Strolling Band[underlined]].
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of W. Allen Taylor, son of "Walkin' Talkin' Bill Hawkins," The First Black Disc Jockey of Cleveland, Ohio
Data Source
National Museum of African American History and Culture
Object number
2018.91.2.21
Type
gelatin silver prints
portraits
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (Sheet): 8 3/16 × 10 in. (20.8 × 25.4 cm)
Title
Object Name • Photograph of Disc Jockey Bill “Hawk” Hawkins with a strolling band
Record ID
nmaahc_2018.91.2.21
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF DISC JOCKEY BILL “HAWK” HAWKINS WITH A STROLLING BAND
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1940s • 1950s
Geo Location
City • Cleveland • County • Cuyahoga County • State • Ohio • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with a WSRS microphone

Date: Date

Description

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins standing at a WSRS microphone

Date: Date

Description

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with Herbert “Hot Sauce” Williams

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with a strolling band

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.