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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Black Composers Series

Date
1986
Caption
Originally packaged in brown sleeves, the packaging and presentation of recorded music was transformed when an art director at Columbia Records, created the first album cover using graphic design in 1939. By the late 1940s, the first commercially available vinyl 12” long-playing record was introduced by Columbia Records and featured colorful paper and cardboard covers in both 10" and 12" sizes. The name "album" was used to describe the new music format and the creation of artistic album covers continued as well.
Description
This object is comprised of eight discs (a,b,c,d,e,f,g,h) of the long-playing record Black Composers Series, an album box liner (i), and box (j) and lid (k) . The vinyl discs (a,b,c,d,e,f,g,h) has a round red label with yellow text on the left-hand side that reads “CBS/ SPECIAL/ PRODUCTS.” There is a yellow line around the border. The rest of the text is black. The album box liner (i) is a booklet of seventeen pages with biographies of each of the composers featured on the album. The cover of the booklet has a white background with a square in the center that has a print of collage artwork by David Driskell. This illustration shows an abstract depiction of a man. The man’s head and left hand are collage additions to a painted surface. The man wears a hat and a billowing shirt of multiple floral patterns and colors with a long white ruffled sleeve. His head is tilted against his right shoulder and his eyes are closed. He appears to be cradling an instrument in his right hand. The artist’s signature is visible on the man’s ruffled left sleeve cuff. Above the collage near the top margin is black text that reads “CBS Records’/ BLACK COMPOSERS SERIES.” Below the collage text reads “THE COLLEGE MUSIC SOCIETY.” The flyleaf of the booklet has a short essay titled “In Appreciation” regarding the reissue of this album set and the parties who made it possible. The facing page is the title page. The following two pages contain the Table of Contents of the booklet and the Program Contents of the albums. The subsequent pages contain the composers’ biographies, each accompanied by a black and white portrait. The box (j) is black cardboard. The lid (k) is matching black cardboard with a white top. On the top surface is a reproduction of the booklet cover. This features a white background with a square in the center that has a print of collage artwork by David Driskell. This illustration shows an abstract depiction of a man. The man’s head and left hand are collage additions to a painted surface. The man wears a hat and a billowing shirt of multiple floral patterns and colors with a long white ruffled sleeve. His head is tilted against his right shoulder and his eyes are closed. He appears to be cradling an instrument in his right hand. The artist’s signature is visible on the man’s ruffled left sleeve cuff. Above the collage near the top margin is black text that reads “CBS Records’/ BLACK COMPOSERS SERIES.” Below the collage text reads “THE COLLEGE MUSIC SOCIETY.” There are several small brown spots on the lower right side of the lid. Album release number P 19426.
See more items in
National Museum of African American History and Culture Collection
Classification
Record Albums
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.189.57a-k
Type
record covers
long-playing records
Restrictions & Rights
© 1986 The College Music Society; © CBS Inc
Permission required for use. Proper usage is the responsibility of the user.
Medium
(a,b,c,d,e,f,g,h): vinyl with ink on paper (fiber product)
(i): ink on paper (fiber product)
(j,k): ink on paper (fiber product) on cardboard
Dimensions
Diameter (a,b,c,d,e,f,g,h. disc): 11 7/8 in. (30.2 cm)
H x W (i. liner notes booklet): 11 1/2 × 11 1/2 in. (29.2 × 29.2 cm)
H x W x D (j,k. box, lid): 12 3/8 × 12 3/8 × 1 in. (31.4 × 31.4 × 2.5 cm)
Title
Title • Black Composers Series
Record ID
nmaahc_2015.189.57a-k
Museum
NMAAHC
Title Sort
BLACK COMPOSERS SERIES
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1980s
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Program for George Walker concert

Date: Date

Description

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NMAAHC

Black Composers Series

Date: Date

Caption

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NMAAHC

Land indenture for the Barbados plantation of Captain Gunston

Date: Date

Description

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NMAAHC

Photograph of Kappa Alpha Psi members

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.