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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Montage of a Dream Deferred

Date
1951
Caption
Langston Hughes and Ralph Ellison had a close relationship as mentor and mentee, both writers based in Harlem in the 1940s and 1950s. Langston Hughes emerged as a leader of the Harlem Renaissance, with his first publication in 1925. In 1936, the day after he moved to New York City, Ralph Ellison met Langston Hughes and Alain Locke. Ellison’s friendship with Hughes continued, and Hughes served as a guide for Ellison as he navigated entering Harlem’s political and literary scenes.
Critics have noticed a connection between the writing of Montage of a Dream Deferred (1951) and Invisible Man (1952), thus reaffirming the influence Hughes had on the work of Ellison. In the poem “Harlem” in Montage of a Dream Deferred, Hughes poses: “What happens to a dream deferred? . . . Does it explode?” Ellison’s work directly responds to this through his examination of the myth of the American Dream and how it can, in fact, fall apart. Additionally, and notably, Montage of a Dream Deferred is dedicated to mentee Ralph Ellison and his wife Fanny, as if Hughes is asking this question directly to them.
Description
A hardcover, first edition of Montage of a Dream Deferred written by Langston Hughes, with a bright yellow paper dustjacket. The jacket features artwork by Walter Miles with twisting, vertical ribbons in black and grey extending across the front. The printed signature of the artist is in the top right corner. Printed at center in large black text is the title [Montage of / a dream deferred] and [LANGSTON HUGHES / author: SHAKESPEARE IN HARLEM / SIMPLE SPEAKS HIS MIND]. A white label with library call number is located at the bottom of the spine between the title and publisher [HOLT] name. On the reverse of the jacket is a large black-and-white photograph of Langston Hughes. He is captured smiling, standing with one foot on a wooden chair, leaning forward with his elbow resting on his bent knee. A short biography printed in black text is centered below the image with additional on the interior jacket flaps. The hardcover book has a black, cased cloth binding with red bold lettering over its spine. The dedication page reads "To Ralph and Fanny Ellison." The contents consist of 91 individually titled poems comprising a single poem in a jazz poetry style. The last numbered page is 75.
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National Museum of African American History and Culture Collection
Collection title
Liljenquist Family Collection
Classification
Books and Published Materials
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Tom Liljenquist
Data Source
National Museum of African American History and Culture
Object number
2024.118.3
Type
book jackets
hardcover books
Restrictions & Rights
© Estate of Langston Hughes
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on wove wood pulp paper with cloth and cardboard
Dimensions
H x W x D (closed): 8 9/16 × 5 7/8 × 1 in. (21.7 × 15 × 2.5 cm)
H x W x D (open): 8 9/16 × 12 × 1 in. (21.7 × 30.5 × 2.5 cm)
Title
Title • Montage of a Dream Deferred
Record ID
nmaahc_2024.118.3
Museum
NMAAHC
Title Sort
MONTAGE OF A DREAM DEFERRED
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1950s
Geo Location
Locale • Harlem • City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Kevin Garnett, 1999 Minneapolis

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NMAAHC

Designs for Craftsmen

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NMAAHC

Montage of a Dream Deferred

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NMAAHC

Digital image of March leaders with Speaker McCormack and Majority Leader Albert

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.