q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Headshot portrait of Melba Moore as Purlie character Lutiebelle

Date
1970
Photograph by
Caption
Melba Moore is an actor and vocalist who had a successful career as a Broadway performer and recording artist from the late 1960s through the late 1980s. Moore rose to prominence performing the role of “Sheila” in the original cast of Hair. She next appeared in Purlie, with her performance earning her the 1970 Tony Award for Best Performance by a Featured Actress in a Musical. Moore would return to the stage in the 1990s after a long hiatus, appearing in productions including Les Misérables (1995), Ain’t Misbehavin’ (2007), and her one-woman show I’m Still Standing (1996).
Moore released several critically and commercially successful R&B recordings from the mid-1970s through the mid-1980s, including the album Peach Melba (1975) and the singles “This Is It” (1976), “Lean on Me” (1976), “Love’s Comin’ at Ya” (1982), and “Read My Lips” (1985). Moore’s all-star 1990 recording of “Lift Every Voice and Sing” helped to return the “Black National Anthem” to popular consciousness. It was added to the National Recording Registry in 2016.
Description
A sepia tone portrait photograph of Melba Moore in character as Lutiebelle from her 1970 Broadway performance of Purlie. The large format photograph depicts Moore dressed as Lutiebelle Gussie Mae Jenkins with a round hat, pigtails tied with ribbon bows, and a lace top over a striped blouse. She is captured in front of a stage wood plank wall and smiling. The headshot is printed from edge to edge of the paper and adhered to a thick brown wove paper cardboard backing. There are no markings on the reverse of the backing.
See more items in
National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Melba Moore and Charli Huggins
Data Source
National Museum of African American History and Culture
Object number
2024.13.1
Type
photographs
portraits
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
photographic materials with cardboard
Dimensions
H x W x D: 26 × 15 15/16 × 3/16 in. (66 × 40.5 × 0.4 cm)
Title
Object Name • Headshot portrait of Melba Moore as Purlie character Lutiebelle
Record ID
nmaahc_2024.13.1
Museum
NMAAHC
Title Sort
HEADSHOT PORTRAIT OF MELBA MOORE AS PURLIE CHARACTER LUTIEBELLE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Letter from Jacquelyn Kennedy Onassis to Congressman William McCulloch

Date: Date

Description

MORE →
No preview image
NMAAHC

Headshot portrait of Melba Moore as Purlie character Lutiebelle

Date: Date

Caption

MORE →
NMAAHC

Group portrait of the Christmas cast party for Lew Leslie's "Blackbirds of 1928"

Date: Date

Description

MORE →
NMAAHC

Building brick from the White House

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.