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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

The Literary Corner: Introduction to Afro-American Fiction/Prose Part I (side a) / Introduction to Afro-American Fiction/Prose Part II (side b)

Date
1978
Directed by
Description
A white plastic audio cassette with recordings of two episodes of the Literary Corner radio show. The program numbers are handwritten on the cassette in graphite.
Side A: “Introduction to Afro-American Fiction/Prose Part I”
Episode 5 of the Literary Corner radio program. It is the first part of a two-part discussion to African American fiction, where Professor Sarah Fabio takes an historical approach to recounting some of the prominent figures of African American fiction. The conversation opens with host Brooks Robinson saying, “Today an introduction to Afro-American fiction part one with our Afro-American literary expert and analyst Professor Sarah Fabio...and in this discussion Professor Fabio takes an historical approach in recounting some of the prominent writers of Afro-American fiction…” Some of the topics discussed in this episode are William Wells Browns’ fiction, especially his novel Clotel, Or The President’s Daughter, which was published in London; Charles Chesnutt’s fiction (The Goophered Grapevine); Paul Laurence Dunbar’s fiction and poetry (Sport of the Gods); fiction writers in the early 20th century and the challenges of African American fiction writing at that time; the impact of WWI on African American fiction; the impact of some early 20th-century writers/works such as Langston Hughes’ Not Without Laughter, Claude McKay’s Banjo and Jean Toomer. The conversation concludes with a discussion of Jean Toomer’s Cane and the experimental form that the book takes. As Professor Fabio talks about Cane, the outro music slowly fades in.
Side B: “Introduction to Afro-American Fiction/Prose Part II”
Episode 6 of the Literary Corner radio program. It is part two of a two-part interview between Brooks Robinson and Professor Sarah Fabio, and traces African American fiction from the end of the Harlem Renaissance to the 1970s. Some of the topics discussed in this episode include African-American fiction writers that emerged and/or published works between the end of the Harlem Renaissance and the 1950s, such as Richard Wright (Native Son, Black Boy and Uncle Tom’s Children), Ralph Ellison (Invisible Man), Charles Himes, Ann Petry, Frank Yerby as well as Willard Motley (Knock On Any Door); short story writers in the mid-20th century such as James Baldwin, William Melvin Kelley, John Killens, Mary “Ellen” Vroman, Julian Mayfield, Ernest Gaines, Christine Hanna and LeRoy Jones; Contemporary writers; works of the 1970s such as John Killens (And Then We Heard the Thunder and The Cotillion), Julian Mayfield (The Hit), Chester Himes (The Third Generation), John Weaver (Sissy!), John Williams (The Man Who Cried I Am), “Jimmy” Baldwin (Go Tell It On The Mountain); newly emerging writers such as Toni Morrison, Toni Cade Bambara, Alice Walker and Ismael Reed. Toward the end of the interview, Robinson asks whether black writers will change their approach to writing given the persistence of racial issues. The episode concludes with Dr. Fabio’s response.
Title
Cassette tape with two episodes of the Literary Corner radio program
See more items in
National Museum of African American History and Culture Collection
Portfolio/Series
The Literary Corner: Black Writers of the World
Classification
Time-based Media - Audio
Movement
BAM (Black Arts Movement 1965-1976)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Contributed in memory of Professor Sarah Webster Fabio (1928-1979), poet, educator, Black Arts Movement icon, and one of the Literary Corner's analysts.
Data Source
National Museum of African American History and Culture
Object number
2010.17.1.3a
Type
audio cassettes
Restrictions & Rights
© Brooks B. Robinson
Permission required for use. Proper usage is the responsibility of the user.
Medium
plastic and tape
Dimensions
H x W: 2 3/4 × 4 1/4 × 5/8 in. (7 × 10.8 × 1.6 cm)
Duration (side a): 15 min., 4 sec.
Duration (side b): 15 min., 5 sec.
Title
Title • The Literary Corner: Introduction to Afro-American Fiction/Prose Part I (side a) / Introduction to Afro-American Fiction/Prose Part II (side b)
Record ID
nmaahc_2010.17.1.3a
Museum
NMAAHC
Title Sort
THE LITERARY CORNER: INTRODUCTION TO AFRO-AMERICAN FICTION/PROSE PART I (SIDE A) / INTRODUCTION TO AFRO-AMERICAN FICTION/PROSE PART II (SIDE B)
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
Country • United States • Continent • North and Central America
Online Media Type
Sound recordings
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Singer Ray Charles and the Rayletts performing “What I Say” at the Kennedy Center

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NMAAHC

The Literary Corner: Introduction to Afro-American Fiction/Prose Part I (side a) / Introduction to Afro-American Fiction/Prose Part II (side b)

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Description

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NMAAHC

Radical Members of the South Carolina Legislature

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NMAAHC

Page 25 of album belonging to Lewis C. Smith

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker