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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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NMAAHC

Push for Excellence!!!

Date
1978
Photograph by
Description
A 33 1/3 rpm record album titled, Push For Excellence, by the Rev. Jesse L. Jackson and The Operation Push Choir. This object is comprised of a vinyl disc (a) of the long-playing record and an album cover (b).
2015.172.36a: A vinyl disc from the 33 1/3 rpm record album titled, Push For Excellence, by the Rev. Jesse L. Jackson and The Operation Push Choir. The vinyl record has a gradient orange circular label with a light orange starburst at the center with black text. To the left of the center hole is the album title, record label, side number, catalog number and copyright information: [PUSH / FOR EXCELLENCE / myrrh / side 1 / msb-6617 / ? 1978 WORD, / INCORPORATED]. To the right of the center hole are the track names and performers: [COME ON CHILDREN– WALTER HAWKINS and FAMILY], [THE COMFORTER– EDWIN HAWKINS], [REACHING FOR THE TOP– PUSH CHOIR], [I’M GLAD YOU FOUND THE LORD– PUSH CHOIR], and [KUM BA YAH- JACKIE VERDELL]. Side 2 is identical to Side 1. The tracks on Side 2 include: [ALL OF ME-DANNIEBELLE], [YOUR LOVE-BILI THEDFORD / and DANNIEBELLE], [CHRIST HAS MADE THE / DIFFERENCE- JESSY DIXON], [REV. JESSE JACKSON], [SOON AND VERY SOON- / ANDRAÉ CROUCH].
2015.172.36b: An album jacket from the 33 1/3 rpm record album titled, Push For Excellence, by the Rev. Jesse L. Jackson and The Operation Push Choir. The front of the jacket features a full sized color photograph of Reverend Jesse Jackson performing on stage. He is depicted in three-quarters profile facing the left edge of the jacket. He wears a dark short sleeve shirt and dark pants. Both of his forearms are raised in front of him, his hands are splayed, and his head is tilted slightly towards his proper left shoulder. Behind him is the PUSH Choir singing into microphones. The choir members stand closely together, facing Jackson. Two people in the choir have their hands raised in the air. Behind Jackson is a piano. There are amplifier on either side of Jackson. The stage is dark and there is a spotlight on the wooden floor. In the background on the right, are silhouettes of people standing on a catwalk, backlit with green lighting. A large graphic of a pink, orange, and yellow arrow cuts across the top left corner of the jacket and points towards large yellow text that reads [REV. JESSE L. JACKSON]. Jackson's name is also underlined with a thin red line. Printed in diagonal , white text above the choir are the names of the PUSH Choir members: [ANDRAÉ CROUCH], [WALTER HAWKINS], [EDWIN HAWKINS], [BILI THEDFORD], [JESSY DIXON], [TREMAINE HAWKINS], and [DANIBELLE]. Yellow, horizontal text printed below reads [AND THE OPERATION PUSH CHOIR]. Along the bottom edge is a yellow band with primarily black text that reads [PUSH FOR EXCELLENCE!!!]. The letter [U] is red, green, and white. Printed in the bottom right corner is the record label name [myrrh]. In the top right corner is the records catalog number [MSB-6617]. The back of the jacket is green with eight color photographs, white and yellow text, and two color graphics. The larger photograph is printed in the top left corner and depicts a headshot of Jackson. He is depicted in profile with his head turned towards the viewer. Printed in white text below are liner notes written by Jackson, producer credits, recording information, thanks, and photography credits. Printed in yellow and white text at the top right are the sides one and two track names and credits. Printed below are seven, pink outlined, color photographs of Danibelle, Jessy Dixon, Walter Hawkins, Edwin Hawkins, Tremaine Hawkins, Bili Thedford, and Andraé Crouch. All of them are depicted performing on stage, singing into microphones, against black backgrounds. The tail end of the large graphic of a pink, orange, and yellow arrow from the front of the jacket cuts across the bottom right corner of the back of the jacket. Overlaid on top of the arrow is a graphic of a black pin back button for [PUSH-EXCEL] with an identical arrow printed diagonally across its front. Printed in the bottom right corner in white text is the copyright information, record label information, and printing information.
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National Museum of African American History and Culture Collection
Classification
Record Albums
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Second Floor, 2 050
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.172.36ab
Type
record covers
long-playing records
Restrictions & Rights
© 1978 Word, Incorporated
Permission required for use. Proper usage is the responsibility of the user.
Medium
(2015.172.36a): vinyl with ink on paper
(2015.172.36b): ink on cardboard
Dimensions
Diameter (a. vinyl disc): 11 7/8 in. (30.2 cm)
H x W (b. cardboard jacket): 12 × 12 3/8 in. (30.5 × 31.4 cm)
Title
Title • Push for Excellence!!!
Record ID
nmaahc_2015.172.36ab
Museum
NMAAHC
Title Sort
PUSH FOR EXCELLENCE!!!
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Exhibition
NMAAHC
Geo Location
City • Washington • State • District of Columbia • Country • United States • Continent • North and Central America • City • Waco • County • McLennan County • State • Texas
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Portrait of Rev. Excel Williams, Sr. and Mrs. Ada Lee Williams

Date: Date

Description

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NMAAHC

Report card for typing belonging to David Williams

Date: Date

Description

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NMAAHC

Letter to Charles Chesnutt from W. E. B. Du Bois

Date: Date

Caption

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NMAAHC

Push for Excellence!!!

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.