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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of Felton W. Williams Jr. and Arthur M. Williams playing guitar

Date
1963
Created by
Caption
Felton W. Williams Jr. was born on January 3, 1934, in Tupelo, Mississippi. In 1943 his family moved to Detroit, where they attended the same House of God Church as fellow steel guitar pioneer Maurice “Ted” Beard. Williams began playing lap steel in 1947, and by 1952 had played for many large church assemblies n Detroit, Toledo, Ohio, Kansas City, Missouri, and Nashville, Tennessee. In 1956 Williams began working as electrician for Ford Motor Company, a job he would have until retirement in 1994. He used his skills as an electrician to build amplifiers and steel guitars. Williams also taught steel guitar to youth from the church, and had a recording studio in his basement, where he recorded many gospel records for local singers. He was respected in the Sacred Steel community as an innovator, recording artist, studio owner, producer, instructor and inventor.
Description
A black-and-white photograph of Felton W. Williams and his brother, Arthur M. Williams, playing instruments. Felton is playing his electric console steel guitar and Arthur, sitting next to him, is playing an electric guitar. In front of them is a speaker. An ironing board and bed are visible in the background. Printed at the top margin is [JAN 63].
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture; Gift of Felton W. Williams, Jr.
Data Source
National Museum of African American History and Culture
Object number
2011.64.6.1
Type
photographs
portraits
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (Sheet): 3 1/2 × 5 in. (8.9 × 12.7 cm)
Title
Object Name • Photograph of Felton W. Williams Jr. and Arthur M. Williams playing guitar
Record ID
nmaahc_2011.64.6.1
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF FELTON W. WILLIAMS JR. AND ARTHUR M. WILLIAMS PLAYING GUITAR
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Mississippi Midwife Permit for Lucretia Turner

Date: Date

Description

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NMAAHC

Photograph of Paul and Della Williams and Harold Williams at tribute event

Date: Date

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NMAAHC

Letter and envelope from Paul Williams to Harold Williams

Date: Date

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NMAAHC

Photograph of Felton W. Williams Jr. and Arthur M. Williams playing guitar

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.