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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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NMAAHC

ALL SAILS FINAL

Date
June 11, 2020
Caption
Willie Cole created ALL SAILS FINAL at the University of Alabama to honor and memorialize the final voyage in the Atlantic Slave Trade. The crew of the schooner Clotilda illegally transported 110 people from West Africa and transported them to enslavement near Mobile, Alabama. After disembarking, the captain ordered the ship to be burned and sunk, and its ruins were only rediscovered in 2019 along the Mobile River just north of the Mobile Bay Delta. The design of the print echoes the Alabama coat of arms, with the same Latin text that translates to “We dare defend our rights.” Here, however, the Confederate flag is more prominent. A ship appears atop the image and notably, the two eagles are replaced with African men in bondage.
Description
A lithographic print titled, ALL SAILS FINAL, by artist Willie Cole to memorialize the discovery of the Clotilda, the last known slave ship to arrive in the United States, off the coast of Alabama. Printed on thick, deckle-edge white paper against a background of the Confederate flag, the print is a reinterpretation of the coat of arms of Alabama.
In the center, where the flag's two blue bars with white stars intersect, is a shield emblem divided into yellow, red, and green fields with a small blue and red-and-white striped shield from the Great Seal of the United States at the very center. The larger shield is framed with mirror images of illustrated, nude male figures, bound to each other by large iron shackled collar around their necks. The collar has two, long spokes at the back that terminate in hook-shaped barbs that extend into the white border of the lithograph. Centered above the shield is a solid black three-masted barque, or sailing ship, outlined in yellow, and with the text [CLOTILDA] across the side. Below the boat is a patch of blue, representing water. Beneath the shield is a yellow scroll with the Alabama with the state motto, [AUDEMUS JURA NOSTRA DEFENDERE] in black.
Along the bottom margin of the print is a handwritten graphite inscription with [6/11] on the far left, the title [ALL SAILS FINAL] at the center, and the artist’s signature and date on the far right, [Will C 2020]. There are no marks or inscriptions on the verso.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of James D. Sokol and Lydia C. Cheney
Data Source
National Museum of African American History and Culture
Object number
2023.108
Type
lithographs
Restrictions & Rights
© Willie Cole
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper
Dimensions
H x W: 22 3/8 × 28 7/8 in. (56.8 × 73.3 cm)
Title
Title • ALL SAILS FINAL
Record ID
nmaahc_2023.108
Museum
NMAAHC
Title Sort
ALL SAILS FINAL
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2020s
Geo Location
City • Tuscaloosa • County • Tuscaloosa County • State • Alabama • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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Partial shooting script from Black Panther film

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The Ogun Sisters

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ALL SAILS FINAL

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Ebony Vol. XVIII No. 10

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.