q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

I Made Space for a Good Man

Date
2009
Caption
When Deborah Willis was an undergraduate at the Philadelphia College of Art one of her professors told her "You're taking up a good man's space, you should not be in this program. All you're going to do is get married, get pregnant, have a baby and a good man could have been in your seat." Reflecting back on this moment later, Willis used self-portraits she created after becoming pregnant soon after graduation to flip the professor's sentiment into a positive - she created space for her son, who is also an artist.
Description
A color lithograph featuring a film photography triptych of self-portraits by Deborah Willis. The portraits are in black-and-white, with a pink-tinted background, set the against turquoise background of the print. In each portrait, a pregnant Willis sits in a wicker chair next to a closed door. In the first two, she wears a black dress, her eyes cast downward. In the first image, her hands are on her pregnant belly. In the second, another set of hands reach from out of frame to cradle her belly, and Willis holds those hands at the wrist. In the third image, Willis reclines in the chair, nude, looking directly at the camera. In white handwritten script above the images is: “A woman taking space from,” “You took the space from,” and “I made a space for.” In the same script beneath each image is: “a good man.” At the bottom left corner, handwritten in graphite, is [12/28] and in the bottom right corner is [Deborah Willis © 2009].
See more items in
National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Juanita and Melvin Hardy
Data Source
National Museum of African American History and Culture
Object number
2020.58.2
Type
self-portraits
lithographs
Restrictions & Rights
© Deborah Willis
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper
Dimensions
H x W: 14 3/4 × 29 1/2 in. (37.5 × 74.9 cm)
Title
Title • I Made Space for a Good Man
Record ID
nmaahc_2020.58.2
Museum
NMAAHC
Title Sort
I MADE SPACE FOR A GOOD MAN
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Geo Location
City • Philadelphia • County • Philadelphia County • State • Pennsylvania • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Member badge for the Deborah Chapter of the Order of the Eastern Star

Date: Date

Description

MORE →
No preview image
NMAAHC

Question Bridge: Black Males

Date: Date

Caption

MORE →
NMAAHC

Baseball bat used by Willie Mays

Date: Date

Description

MORE →
No preview image
NMAAHC

I Made Space for a Good Man

Date: Date

Caption

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker