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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of DMC and JMJ with director Jonathan Demme on set- "Heal Yourself"

Date
1991
Description
A color photograph of DMC and JMJ with director Jonathan Demme.
DMC is on the proper right side. He is wearing a red and white St. John's Redmen t-shirt, red shorts, a white brimmed hat with a red ribbon, and glasses. He is also wearing a necklace with a shoe pendant and has a watch on his proper right wrist. He has a goatee. JMJ is in the center. He is wearing a blue, orange, and white New York Mets t-shirt, blue and orange shorts, a red Chicago Bulls baseball cap, a necklace with a shoe pendant, and a bracelet on his proper right wrist. He has a goatee. His proper left hand is in his shorts pocket and his right hand is shaking the proper right hand of Robert Demme. Robert is facing the proper right side of the image. His left arm is down by his side and he has a black watch on his left wrist. He is wearing a white button down shirt with a map over it, a white undershirt, black shorts, and a black baseball cap that reads [-OKLYN] in orange. He has a white "Crew" pass clipped onto his shirt. There is a brick building in the background as well as a group of men and women sitting and standing in front of a fence.
2015.132.81.1 has a white border around it. It is thinnest on the top and bottom, thicker on the proper right side, and thickest on the proper left side. It is signed vertically in black ink, on the proper bottom left side next to the image. The back of the photograph has light grey text repeated diagonal lines facing the right side of the paper. There are tears at the top from where tape used to be. There is a yellow post-it note at the top right. There is a small number "25" handwritten sideways in black ink in the bottom left corner. There is an inscription by Bill Adler handwritten vertically down the left side in the blue ink. 2015.132.81.2 has a white border around it. It is thinner on the top and bottom and thicker on the two sides. The back of the photograph has light grey text repeated diagonal lines facing the left side of the paper. There is an inscription by Bill Adler handwritten vertically up the right side in black ink.
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National Museum of African American History and Culture Collection
Collection title
Eyejammie Hip-Hop Photography Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.132.81.1-.2
Type
portraits
inkjet prints
Restrictions & Rights
© Michael Benabib
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper
Dimensions
H x W (2015.132.81.1 Sheet): 11 × 17 in. (28 × 43.2 cm)
H x W (2015.132.81.1 Image): 10 3/4 × 13 3/4 in. (27.3 × 35 cm)
H x W (2015.132.81.2 Sheet): 11 × 17 1/16 in. (28 × 43.3 cm)
H x W (2015.132.81.2 Image): 10 3/4 × 13 13/16 in. (27.3 × 35.1 cm)
Title
Object Name • Photograph of DMC and JMJ with director Jonathan Demme on set- "Heal Yourself"
Record ID
nmaahc_2015.132.81.1-.2
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF DMC AND JMJ WITH DIRECTOR JONATHAN DEMME ON SET- "HEAL YOURSELF"
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

The Literary Corner: Jonathan Peters on Wole Soyinka (side a) / A Comparative Analysis of African and Afro American Literature with Mildred Hill and the Conclusion to the Literary Corner Series (side b)

Date: Date

Description

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NMAAHC

Photograph of DMC and JMJ with director Jonathan Demme on set- "Heal Yourself"

Date: Date

Description

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NMAAHC

Frank Wright Oral History Interview

Date: Date

Description

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NMAAHC

Un-edited audio files for an oral history interview with Frank Wright

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.