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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Black dress by Jason Wu with boots by Jean-Louis Scherrer

Date
2007-2008
Description
Black menswear inspired dress by Jason Wu (.1a) with detached petticoat (.1b) and white and black polka dot knee-high boots by Jean-Louis Scherrer (.2ab).
The dress (.1a) is made in the style of a men's formal coat in black silk satin with an open standard collar. The dress fastens at the center front with seven (7) black round plastic buttons. The sleeves are three-quarter length and cut straight with no cuff. The bodice is fitted to the top of the natural waist, then widens into a full hi-lo skirt with box pleating all the way around the waist. A large rounded keyhole is placed at the upper back bodice below the back yoke. There is a sixteen-inch slit in the center back skirt. The interior of the front bodice, skirt, and sleeves are lined in tan silk, while the interior back yoke is lined in the black satin. The lining has box pleats around the waist corresponding to the exterior skirt. A black fabric label with silver embroidered text in the bottom right corner reading "jason wu" is sewn at the interior center back neck. A size tag is sewn to the bottom of it. An additional black fabric label with white printed text containing a stylized "W" logo above style, fiber content, and care information is sewn at the interior proper left side seam at the waist.
The petticoat (.1b) is made from ruffled tiers of synthetic black tulle with an under layer of tiers of ruffled synthetic black gauze. It has a black elastic waistband. The top layer of the tulle has been roughly cut with most of the bottom tier missing. There are no labels.
The shoes (.2ab) are knee-high boots with a three-inch stiletto heel. They are made from off-white fabric with black velvet polka dots. The boots zip at the center back from above the heel to the mid-calf, with the upper part of the back seam sewn closed and pulled onto the leg. The outer soles are made from black leather, with the heels made of shiny black plastic. The upper part of the interior legs are lined in gold leather, with the lower part lined in black leather. A white fabric label with black embroidered text reading "Jean-Louis Scherrer / BOUTIQUE" is attached to the insole of each shoe. The size and a genuine leather note are incised onto the soles.
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National Museum of African American History and Culture Collection
Collection title
Ebony Fashion Fair Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.141.28.1-.2
Type
dresses
crinolines
boots
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
.1a: silk satin and silk with plastic buttons;
.1b: synthetic tulle, synthetic gauze, and elastic;
.2ab: synthetic fiber, velvet, leather, and plastic
Dimensions
H x W (.1a flat): 51 × 18 in. (129.5 × 45.7 cm)
H x W x D (.1b flat): 25 × 32 × 5 in. (63.5 × 81.3 × 12.7 cm)
H x W x D (.2a flat): 24 × 10 1/2 × 3 1/2 in. (61 × 26.7 × 8.9 cm)
H x W x D (.2b flat): 23 3/4 × 10 3/4 × 3 1/2 in. (60.3 × 27.3 × 8.9 cm)
Title
Object Name • Black dress by Jason Wu with boots by Jean-Louis Scherrer
Record ID
nmaahc_2015.141.28.1-.2
Museum
NMAAHC
Title Sort
BLACK DRESS BY JASON WU WITH BOOTS BY JEAN-LOUIS SCHERRER
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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Flier of Wu-Tang Clan and staff members of Hot 97

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NMAAHC

Photographic print of Inspectah Deck with Wu-Tang medallion

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NMAAHC

Black dress by Jason Wu with boots by Jean-Louis Scherrer

Date: Date

Description

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NMAAHC

Chromogenic color print of X Clan and Isis

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker