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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Harmonica played by DeFord Bailey

Date
ca. 1976
Manufactured by
Hohner Musikinstrumente GmbH & Co. KG, German, founded 1857
Used by
DeFord Bailey, American, 1899 - 1982
Subject of
Matthias Hohner, German, 1833 - 1902
Description
A Hohner Marine Band Series Harmonica played by DeFord Bailey. The harmonica features stainless steel cover plates, a light brown wooden comb, ten holes, and a dark brown, wooden mouthpiece. The top cover plate is stamped with a profile portrait of Matthias Hohner depicted inside an oval shaped frame with a laurel wreath below. To the right of the portrait is stamped large, hatched text above script text that reads [MARINE BAND / M. Hohner]. Stamped on the far left edge of the top cover plate is the text [A440] and the letter [A] is stamped on the far right edge. Stamped along the bottom edge of the front cover plate and the hole numbers: [1 2 3 4 5 6 7 8 9 10]. The bottom cover plate is heavily stamped with graphics and text of varying sizes and fonts. At the center of the plate is a graphic of a ring, gripped on either side by two hands. Text stamped inside the ring reads [GESETZL / GESCH]. Stamped above the left and right hands is the text [TRADE] and [MARK]. Stamped below in large text is [M. Hohner]. To the left of the center graphic are four rings: two overlapping smaller ones on the far left and two larger rings closer to the left hand graphic. Devices stamped inside the far left rings include one of a person standing between two winged figures and a man’s laurel wreath covered head shown in profile. The other two rings feature the text [ULM] and [1871] at the center of each ring. Text surrounding the far left rings read [D.VERDIENSTE] stamped vertically on the far left and [WEIN] and [1893] stamped above and below the rings. To the right of the center graphic are four rings: two overlapping smaller ones on the far right and two larger rings closer to the right hand graphic. Devices stamped inside the far left rings include one of a laurel wreath below three rows of triangles and the other of a seated toga-clad figure shown in profile with their arm extended. The other two rings feature the text [STUTT- / GART] and [1881] at the center of each ring. Text surrounding the far right rings read [GR.BRONCE] stamped vertically on the far right and [PHILAD.] and [1876] stamped above and below the rings. Stamped along the bottom edge is the text [MADE IN GERMANY] on the left and [FABRIQUÉ EN ALLEMANDE] on the right.
Place made
Baden-Württemberg, Germany, Europe
Place used
United States, North and Central America
Topic
African American
Blues (Music)
Country (Music)
Instrumentalists (Musicians)
See more items in
National Museum of African American History and Culture Collection
Classification
Musical Instruments
Exhibition
Musical Crossroads
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 053
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Christine Bailey Craig
Data Source
National Museum of African American History and Culture
Object number
2022.3
Type
harmonicas
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
stainless steel, metal and wood
Dimensions
H x W x D: 11/16 × 3 15/16 × 1 in. (1.8 × 10 × 2.5 cm)
Title
Object Name • Harmonica played by DeFord Bailey
Record ID
nmaahc_2022.3
Museum
NMAAHC
Title Sort
HARMONICA PLAYED BY DEFORD BAILEY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Name
Hohner, Matthias • Bailey, DeFord • Hohner Musikinstrumente GmbH & Co. KG
Place
Baden-Württemberg • United States • Europe • North and Central America • Germany
Topic
Country (Music) • Music • Instrumentalists (Musicians)
Culture
African Americans
Exhibition
NMAAHC • Musical Crossroads
Geo Location
State • Baden-Württemberg • Country • Germany • Continent • Europe • Country • United States • Continent • North and Central America
Type
harmonicas
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.