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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of a family posing in front of a house

Date
early 20th century
Photograph by
Description
A sepia tone photograph of a family posing in front of a house. The two women, one man, two teenage girls, and a boy are depicted in three rows. At the front, seated in a matched pair of high back wooden chairs, is a woman and a teenage girl. Both the woman and the girl are wearing white blouses and light tone, long skirts. They are both facing the viewer and are seated with their hands folded in their laps. The teenage girl on the left, has her hair side parted, pulled back, and secured with a black ribbon headband. The woman on the right is wearing a graduated, collar length, pearl necklace. She has her hair side parted and pulled back into a loose knot at the back. Standing in the second row behind them is a man and another teenage girl. The man, depicted right, is wearing a dark tone suit with a white dress shirt and thin bow tie. His hair is parted at the side and smoothed down with a finger wave over the proper right side of his forehead. The other teenage girl, depicted left, is wearing a medium tone striped blouse with a white collar with rounded points and a long skirt. She also has a knot of small, thin ribbons securing the collar at her throat. On the raised porch to the house is a boy crouched down between man and the teenage girl. He is wearing a dark jacket and a medium tone newsboy cap. On the far left, seated in a chair on the porch, is the other woman. She is wearing a light tone dress and an Edwardian, wide band picture hat with a bow on one side. She is cradling a baby with a white baby bonnet in the crook of her proper right arm. A toddler leaning over her proper right leg appears to be kissing the baby in the woman’s arms. The woman has her proper left arm draped over the toddler’s back, obscuring the toddler’s face. A partially depicted person is on the far left edge of the image with only their arm visible and resting on the edge of the porch. On the far right is another partially depicted individual, seated in a chair on the porch. The house behind them features light tone clapboards, a door, and a partially shuttered window. The square photograph is adhered to a plain, gray cardboard mount. The mount has four pin holes at the top center and two at the bottom center. There is a loss at the bottom right corner of the mount. The back of the frame is plain.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of James M. Baxter
Data Source
National Museum of African American History and Culture
Object number
2021.13.10
Type
mounts (framing and mounting equipment)
gelatin silver prints
portraits
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper on cardboard
Dimensions
H x W (Mounted): 5 1/4 × 5 1/4 in. (13.3 × 13.3 cm)
H x W (Image): 3 9/16 × 3 5/16 in. (9 × 8.4 cm)
Title
Object Name • Photograph of a family posing in front of a house
Record ID
nmaahc_2021.13.10
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF A FAMILY POSING IN FRONT OF A HOUSE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1920s • 1890s
Geo Location
Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Photograph of W. A. Neely's blacksmith shop in Laurinburg, North Carolina

Date: Date

Description

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NMAAHC

Mounted photograph portrait of a woman wearing a fur stole

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NMAAHC

Photograph studio portrait of a woman standing with a wooden chair

Date: Date

Description

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NMAAHC

Photograph of a family posing in front of a house

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.