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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Tote bag and button for "Art & Activism" designed by Gail Anderson

Date
2018
Caption
Gail Anderson is a New York based designer and partner at Anderson Newton Design. Since 1987, Anderson has worked in the field of design at design firms, advertising agencies, and publications. Her work has received awards from major design organizations, including the Society of Publication Designers and the American Institute of Graphic Arts (AIGA). In 2008 she received a Lifetime Achievement Medal from the AIGA. Anderson currently works as Creative Director at the School of Visual Arts Press and is on the Citizen Stamp Advisory Committee for the US Post Office. In 2013, the US Postal Service commissioned Anderson to design the commemorative stamp for the sesquicentennial of the Emancipation Proclamation. Anderson was only the second African American designer tapped to design a commemorative stamp, the first being Georg Olden who designed the Proclamation’s 100th anniversary stamp in 1963.
Description
This is a tote bag with a pin-back button attached to the front top left-hand corner. The black cloth bag (.1) has two cloth straps for carrying and an open top with no fastener. Its front has a printed design in red, black and white. In the center of the front canvas is a red square. Within the square is white block text that reads “ART &.” The following line has black text within individual white rectangle boxes that read “ACTI/VISM.” Below the red square is one word in white and red ink “CONTINUED” with the ‘continu’ in white with a white line over it and ‘ed’ in red with a red line over it. Superimposed over the ‘T’ is a small red circle with petal-like edges. Within the circle is white text that reads “SVA/NYC.” The back of the tote bag is blank. The pin-back button (.2) is round with a red background. On it is white block text that reads “ART &.” The following line has black text within individual white rectangle boxes that read “ACTI/VISM.”
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National Museum of African American History and Culture Collection
Classification
Decorative Arts, Craft, and Design
Memorabilia and Ephemera - Political and Activist Ephemera
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Gail Anderson
Data Source
National Museum of African American History and Culture
Object number
2020.11.7.1-.2
Type
tote bags
buttons (information artifacts)
Restrictions & Rights
© School of Visual Arts
Permission required for use. Proper usage is the responsibility of the user.
Medium
cloth , ink on paper (fiber product) on metal with plastic
Dimensions
H x W (tote): 16 × 15 in. (40.6 × 38.1 cm)
Diameter (pin): 1 1/4 in. (3.2 cm)
Title
Object Name • Tote bag and button for "Art & Activism" designed by Gail Anderson
Record ID
nmaahc_2020.11.7.1-.2
Museum
NMAAHC
Title Sort
TOTE BAG AND BUTTON FOR "ART & ACTIVISM" DESIGNED BY GAIL ANDERSON
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Tote bag for the National Council for Black Studies 25th Anniversary conference

Date: Date

Description

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NMAAHC

"ESR" tote bag designed by Brandon Blackwood

Date: Date

Description

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NMAAHC

Tote bag and button for "Art & Activism" designed by Gail Anderson

Date: Date

Caption

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NMAAHC

Black faux patent leather structured bag with gold hardware

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.